RA Collection: People and Organisations
Son of H. H. Armstead, R.A.
Born: 1865 in London
Died: fl. 1932
Gender: Male
Henry Hugh Armstead RA
Design for the 1856 Goodwood Cup, 1856
Pen and ink and brown wash over pencil on cream wove paper
Henry Hugh Armstead RA
Two drawings of a male figure wearing a crown and carrying a book
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Standing male figure wearing a crown and carrying a book
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Three studies of a seated male figure for Llandaff Cathedral carvings
Pen and dark brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
A seated male figure, for carvings at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A seated male figure, for carvings at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of seated male figures for Llandaff Cathedral carvings
Pen and dark brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a seated male figure for carvings at Llandaff Cathedral
Pen and dark brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling male figure for the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male figurefor the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a cat's paws and face for 'Playmates', ca. 1897
Pencil on white wove paper
Henry Hugh Armstead RA
Figure studies for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863
Pen and brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
Four figures in niches, a design for part of the Westminster Abbey reredos, 1860s
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A standing male figure, possibly Watt, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Two male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Standing male nudes, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Two standing male figures carrying mallets, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Drawings of standing male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Nude studies of male figures for the external frieze on the Royal Albert Hall, by 1871
Pen and black ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing man, for the Albert Hall frieze, by 1871
Pen and black ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a man standing next to a machine with a wheel, for the Albert Hall frieze, by 1871
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of cherubs, probably for the Webb monument, After 1885
Pencil on cream laid paper
Henry Hugh Armstead RA
Compositional sketch for 'Sea-Weeds', by 1862
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of female nudes, probably for 'Sea-Weeds', by 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a woman holding an orb and sceptre, for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863
Pen and brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
A reclining female figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Seated female nude
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a recumbent male figure for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a stooping male figure for 'The Sun and Moon Stand Still', 1860s?
Pencil and white gouache on cream wove paper
Henry Hugh Armstead RA
Study of an archer for 'The Sun and Moon Stand Still', 1860s?
Pencil and white gouache on cream wove paper
Henry Hugh Armstead RA
Four figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
Henry Hugh Armstead RA
Three figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
Henry Hugh Armstead RA
Four figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
Henry Hugh Armstead RA
Compositional sketch for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
Henry Hugh Armstead RA
Study of a scene with a figure in bed and another kneeling beside it
Pencil on cream wove paper
Henry Hugh Armstead RA
Kneeling female nude in profile, holding a piece of drapery
Pencil on cream wove paper
Henry Hugh Armstead RA
Kneeling female nude holding a piece of drapery
Pencil on cream wove paper
Henry Hugh Armstead RA
Profile of Benjamin West, P.R.A., after Francis Chantrey, 1818
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', probably 1860
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', probably 1860
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', 1860
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies for 'Hero and Leander', ca. 1875
Pen and brown ink with white gouache over pencil on brown laid paper
Henry Hugh Armstead RA
Study of a female figure for 'Remorse', ca. 1903
Pen and ink with wash and white gouache over pencil on blue/green wove paper
Henry Hugh Armstead RA
Draped studies of a female figure for 'Remorse', ca. 1903
Pen and black ink with wash and white gouache over pencil on blue/green wove paper
Henry Hugh Armstead RA
Study of a draped female figure for 'Remorse', ca. 1903
Pen and black ink with wash and white gouache over pencil on blue/green wove paper
Henry Hugh Armstead RA
Two studies of a female nude for 'Remorse', ca. 1903
Pen and ink over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Two studies of a female nude for 'Remorse', ca. 1903
Pencil on blue/grey wove paper
Henry Hugh Armstead RA
Study of a pair of spectacles on top of a book, for a memorial to the Revd. Hatchard
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of children for a memorial to the Revd. Hatchard
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a recumbent figure for a memorial to Revd. Hatchard
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling man for a memorial to the Reverend Hatchard
Pen and black ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a woman spinning and a kneeling child
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of floating female figures
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a kneeling woman
Pencil and pen and ink on cream wove paper
Henry Hugh Armstead RA
Three studies of a kneeling woman
Pencil and pen and ink on cream wove paper
Henry Hugh Armstead RA
Design for a silver cup decorated with a scene from the life of Christ, c. 1850s
Pen and ink on tracing paper
Henry Hugh Armstead RA
Design for a silver cup with depictions of Adam and Eve
Pen and ink on tracing paper
Henry Hugh Armstead RA
Design for a silver cup, c. 1850s
Pen and ink over pencil on tracing paper
Henry Hugh Armstead RA
Three studies of an embroidered hat or headdress
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of an embroidered band
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of an ornate, embroidered waistcoat
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Design for the 'Memory tazza'
Pen and ink over pencil on pale blue laid paper
Henry Hugh Armstead RA
Studies of hands for the Webb Monument, St. Paul's Cathedral, After 1885
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Figure studies for carvings on the Bishop's Throne, Llandaff Cathedral, 1863
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male nude for a "medal for Engineers"
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male nude for a "medal for Engineers", February 1870
Pencil on cream wove paper
Henry Hugh Armstead RA
Study for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the mausoleum of Julius Beer, ca. 1880s
Pencil with red-orange chalk on cream wove paper
Henry Hugh Armstead RA
Studies of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Pencil with touches of red chalk on cream wove paper
Henry Hugh Armstead RA
Preparatory sketch for 'The Sun and Moon Stand Still', 1860s?
Wove paper
Henry Hugh Armstead RA
Study of four figures in an interior, for 'Samuel and his Mother', 1860s?
Pencil with monochrome watercolour on cream wove paper
Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Red chalk over pencil on thick wove paper
Henry Hugh Armstead RA
Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Pencil and red chalk on cream wove paper
Henry Hugh Armstead RA
Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Pencil and red chalk on cream wove paper
Henry Hugh Armstead RA
Design for the base of a bust of Edward III, ca. 1884 ?
Pencil on cream laid paper
Henry Hugh Armstead RA
Design for an inkstand ('Dante inkstand')
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Red chalk over pencil on thick wove paper
Henry Hugh Armstead RA
Design for a silver two-handled vase
Pen and ink over pencil on grey wove paper
Henry Hugh Armstead RA
Head and shoulders of an old man sleeping
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Design for a silver presentation piece in the form of a tazza
Pen and ink over pencil on blue wove paper
Henry Hugh Armstead RA
A figure standing next to a horse
Pen and ink with wash over pencil on cream wove paper
Henry Hugh Armstead RA
Study of the torso of a male figure and a detail of the right hand
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Studies of a waterlily flower
Pencil on beige wove paper
Henry Hugh Armstead RA
Study of a standing female figure for an illustration to Tennyson's Dora
Pen and ink with some wash over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a woman leaning on another figure's shoulder for an illustration to Tennyson's Dora
Pen and ink with wash over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a seated male figure for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Compositional study for an illustration to Tennyson's Godiva
Pen and ink with wash over pencil on cream wove paper
Henry Hugh Armstead RA
Study for an illustration to Tennyson's poem 'Godiva'
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Studies of an old man
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of figures for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Drapery and figure study for an illustration to Tennyson's Dora
Pen and black ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a man's face for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Male nude stooping to pick up a stone
Pen and ink and wash on cream wove paper
Henry Hugh Armstead RA
A woman leaning to the right with her head in her hands
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A seated woman with her head bowed
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A bare-chested old man, in profile
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Design for the 'Ariel inkstand'
Pen and ink over pencil on cream laid paper
Henry Hugh Armstead RA
Sketch for a silver cup design
Pen and ink on grey wove paper
Henry Hugh Armstead RA
A seated female figure
Pen and ink on cream wove paper
Henry Hugh Armstead RA
A seated female nude
Pen and ink with some wash, over pencil on cream wove paper
Henry Hugh Armstead RA
A male nude pulling ropes
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a standing female figure for an illustration to Tennyson's Dora, 1860s?
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a cat for 'Playmates', ca. 1897
Pencil on cream wove paper
Henry Hugh Armstead RA
Pencil study of a figure for a tomb effigy
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a female nude for the 'Adam and Eve' silver vase, 1850s
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male nude for the 'Adam and Eve' silver vase
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a fish for the 'Wisbech fountain'
Pen and ink over pencil on green wove paper
Henry Hugh Armstead RA
Two studies of a fish for the 'Wisbech fountain'
Pen and ink over pencil on green wove paper
Henry Hugh Armstead RA
Studies of a kneeling female figure for the reredos of Great St. Mary's, Cambridge, after 1862
Pencil with pen and ink on cream wove paper
Henry Hugh Armstead RA
Studies for the effigy of Lord Winmarleigh for Warrington Church, ca. 1893-4
Pencil and watercolour on grey/blue wove paper
Henry Hugh Armstead RA
Design for a memorial to Mrs. Craik, Tewkesbury, c. 1889
Pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a female head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Half-length study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a woman for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Three studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Figure studies for a mosaic design for St. Michael's Church, Torquay, ca. 1877
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889
Pencil and white gouache on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889
Pencil and white gouache on blue/green wove paper
Henry Hugh Armstead RA
Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
Henry Hugh Armstead RA
Pencil portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
Henry Hugh Armstead RA
Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
Henry Hugh Armstead RA
Study for the tomb effigy of Bishop Ollivant
Pencil with white gouache on blue/green wove paper
Henry Hugh Armstead RA
Study of a clergyman in profile, for a statue of Bishop Ollivant
Pen and ink over pencil on buff wove paper
Henry Hugh Armstead RA
Study of a clergyman for a statue of Bishop Ollivant
Pen and ink over pencil on buff wove paper
Henry Hugh Armstead RA
A study of a clergyman in profile, for a stone figure of Bishop Ollivant, ca. 1887?
Pen and ink over pencil on buff wove paper
Henry Hugh Armstead RA
Male nude lying on the ground
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of male nudes for the "Milton Fountain"
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a male nude for the "Milton Fountain"
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of female figures for the 'Milton Fountain'
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a figure drawing a curtain to one side
Pen and ink with wash and white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a figure drawing a curtain to one side
Pen and ink with wash and white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a man, for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a man supporting the head of another figure, for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a man in a shroud for the reredos of Hythe Church, Kent
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Studies of a woman for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Design for a monument to Frances Buss, foundress of the North London Collegiate School for Ladies, 1879
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of two standing girls holding shields for Llandaff Cathedral carvings
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a standing girl holding a shield for Llandaff Cathedral carvings
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Three studies of girls playing musical instruments, for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
Two studies of girls playing musical instruments, for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
Studies of girls playing musical instruments for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
Henry Hugh Armstead RA
Studies of the Doctors of the Church, for carving designs at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male figure for the reredos of St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing figure for the reredos of St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A kneeling figure seen from the side
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two drawings of a standing male figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A kneeling figure seen from the back
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of an embroidered waistcoat
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of arms and hands for the Webb monument in St. Paul's Cathedral, After 1885
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing figure of the Virgin Mary for a reredos design
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of an angel for a reredos design
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study for 'Hero and Leander'
Pencil with white highlights on brown wove paper
Henry Hugh Armstead RA
Draped study of a seated female figure for the "Metropole" doorway, c. 1883
Pencil with white highlights on blue/green wove paper
Henry Hugh Armstead RA
Sheet with drawings of a seated woman with two children
Pencil with pen and ink on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a male and a female nude for the 'Fall of Adam' or 'Adam and Eve' vase, c. 1856?
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a seated female figure for the "Metropole" doorway design
Pencil and white paint on blue/green wove paper
Henry Hugh Armstead RA
Nude study of an old man for a doorway design, c. 1883
Pencil and white gouache on blue/green wove paper
Henry Hugh Armstead RA
Drawing for an effigy of Richard Walmesley, c. 1893 - 1896
Pencil and white gouache on blue/green wove paper
Henry Hugh Armstead RA
Study of a kneeling figure
Pencil and white chalk on brown wove paper
Henry Hugh Armstead RA
Study of a kneeling figure
Pencil and white chalk on brown wove paper
Henry Hugh Armstead RA
Half-length study of a figure holding a chalice for a reredos design
Pencil and white chalk on brown wove paper
Henry Hugh Armstead RA
Study of a kneeling figure for a reredos design
Pencil and white chalk (could be paint?) on brown wove paper
Henry Hugh Armstead RA
Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884
Pen and ink over pencil on cream laid paper
Henry Hugh Armstead RA
A "Turcoman" horse
Pen and ink over pencil on cream wove (?) paper
Henry Hugh Armstead RA
Studies of male figures for the unexecuted "Vauxhall Bridge Church" project
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of children for 'The Ever Reigning Queen', by November 1880
Pencil with pen and ink and white highlights on green wove paper
Henry Hugh Armstead RA
Study of a female nude for 'The Ever Reigning Queen', by November 1880
Pencil on cream wove paper
Henry Hugh Armstead RA
Sketch for a lectern design
Pen and ink on cream laid paper
Henry Hugh Armstead RA
Three sketches of a male figure and an eagle for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil on cream laid paper
Henry Hugh Armstead RA
Study of a man on horseback for the unexecuted Blackfriars' Bridge project, ca. 1881
Pen and brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies for 'The Obedience of Joshua', 1879
Green wove paper
Henry Hugh Armstead RA
Study for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Design for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study for 'The Courage of David', 1879
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Design for 'The Courage of David', a relief for the "Guards' Chapel", 1879
Pen and ink with white highlights over pencil on green wove paper
Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Henry Hugh Armstead RA
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Henry Hugh Armstead RA
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Henry Hugh Armstead RA
Two seated figures for the King's College Fountain, Cambridge (not used), ca. 1874
Pen and ink over pencil on light brown wove paper
Henry Hugh Armstead RA
An Egyptian horse
Pen and ink over pencil on light brown wove paper
Henry Hugh Armstead RA
Humorous sketches of crocodiles and bats
Pen and ink on blue/grey wove paper
Henry Hugh Armstead RA
Designs for coins, for a competition, ca. 1891
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
A female figure holding a ball, for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a male figure with a sword for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a male figure on horseback for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Two drawings of a seated male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Study of a seated female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Two studies of male nudes for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Draped study of a female figure for a "Coinage competition", ca. 1891
Pencil, pen and black ink with white highlights over pen and blue ink (?) on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Study of a draped female figure for a "Coinage competition", ca. 1891
Pencil, pen and ink (?) with white highlights on blue/grey wove paper
Henry Hugh Armstead RA
Nude study of a female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Study of a male nude for a "Coinage competition"
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Study of two female figures for a "Coinage competition", ca. 1891?
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Two studies of a seated female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil and blue chalk on blue/grey wove paper
Henry Hugh Armstead RA
Study of a seated female nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Henry Hugh Armstead RA
Two studies of a male nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue wove paper
Henry Hugh Armstead RA
Study of a seated female nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue-grey wove paper
Henry Hugh Armstead RA
A floating female figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A floating figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Male nude lying on the ground
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Nude studies of male figures possibly for the 'Doncaster Cup', 1850s?
Pen and ink over pencil on white laid paper
Henry Hugh Armstead RA
Seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a male figure for the 'History of the Shirleys' reliefs, ca.1858-62
Pencil on cream wove paper
Henry Hugh Armstead RA
Two nude studies of male figures, for the 'History of the Shirleys' reliefs, ca.1858-62
Pencil on cream wove paper
Henry Hugh Armstead RA
Figure studies for a monument to Henry Thomas in Llandaff Cathedral, ca. 1863
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing figure for the Westminster Reredos, by 1867
Pencil on cream wove paper
Henry Hugh Armstead RA
Reclining male nude
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two figure studies for the 'History of the Shirleys' reliefs, ca.1858-62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
An outline drawing of a half-length female nude
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Design for 'The Origin of Music in Greece', 1853 or before
Pen and brown ink on light brown wove paper
Henry Hugh Armstead RA
Studies for 'The Dead Man of Bethany', 1862 or before
Pen and black and brown ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two outline drawings of female nudes
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Figure study and a compositional sketch for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink and pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of an archer, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing man, for the 'History of the Shirleys' reliefs, ca. 1858-1862
Cream wove paper
Henry Hugh Armstead RA
Two studies of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a floating female figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a floating figure
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling male figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Half-length drawing of a woman
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a female figure at prayer, 1860s ?
Pencil on wove paper
Henry Hugh Armstead RA
Study of a standing figure holding a staff
Pencil on cream wove paper
Henry Hugh Armstead RA
Sketches of an infant
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude studies of a male and a female figure, 1860 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a fallen figure for the Outram Shield, 1862 or before
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a figure holding a cross, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male figure, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a figure lying on the ground, for the Outram Shield, 1862 or before
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing figure for the 'History of the Shirleys' reliefs, 1862
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Study of a standing figure, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Figure studies for 'Evening Hymn', 1862 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a man on horseback
Pencil on cream wove paper
Henry Hugh Armstead RA
A standing woman
Pencil on light blue wove paper
Henry Hugh Armstead RA
Standing male figure in profile, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Five standing figures in long robes, for Llandaff Cathedral carvings
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male figure, for the reredos at St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study for 'A Dream', 1862 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Drapery and figure studies for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a male figure playing a trumpet, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a kneeling figure, for the Packington Shield, 1860 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a male figure, for the Packington Shield, 1860 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
A standing woman holding an infant, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a reclining female figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two sketches of a woman and child
Pencil on white laid paper
Henry Hugh Armstead RA
Study of a seated woman, for the Packington Shield, by 1860
Pencil on cream wove paper
Henry Hugh Armstead RA
A woman carrying a baby
Pen and ink over pencil on white laid paper
Henry Hugh Armstead RA
Studies for a sculpture of a standing male figure, possibly for "Vauxhall Bridge Church"
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male figure
Pen and ink and pencil on cream wove paper
Henry Hugh Armstead RA
Compositional sketch for a scene with a seated woman and an angel
Pencil on wove paper
Henry Hugh Armstead RA
Study for the figure representing 'Applied Mechanics' for the Albert Hall Frieze, by 1871
Pen and ink on thick wove paper
Henry Hugh Armstead RA
Studies of a standing figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A compositional sketch for three sections of the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Outline drawing of a seated female nude
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Design for a silver figure of Egypt, by 1884
Pen and ink and wash on wove paper
Henry Hugh Armstead RA
Studies of one nude and one draped male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on cream wove paper
Henry Hugh Armstead RA
Sketch of a seated man supporting a kneeling child
Pencil, pen and ink on cream wove paper
Henry Hugh Armstead RA
Nude study of a seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a standing male nude
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Six studies of standing male figures
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Five studies of nude and partially draped female figures, after 1850
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
A seated female nude
Pen and ink with pencil on cream wove paper
Henry Hugh Armstead RA
Design for a coin
Pencil on cream wove paper
Henry Hugh Armstead RA
Design for a coin
Pencil on cream wove paper
Henry Hugh Armstead RA
Male nude in a frontal pose, for the 'History of the Shirleys' reliefs
Pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of male nudes, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Head of a bearded man
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study for 'The Dead Man of Bethany', 1862 or before
Pen and ink and wash, over pencil on cream wove paper
Henry Hugh Armstead RA
A scene with three figures and horse by a cloister
Pen and ink and wash over pencil on light blue laid paper
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
A standing woman with a child at her side, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil and pen and ink on cream wove paper
Henry Hugh Armstead RA
Two nude studies of a male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male figure, probably for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
Henry Hugh Armstead RA
A seated man wearing a headdress, for 'Samuel and his Mother', 1860s
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Half-length drawing of a woman leaning forwards
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male figure in Eastern dress, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
St. George and the Dragon
Pencil with pen and ink on cream wove paper
Henry Hugh Armstead RA
Nude study of a male figure on horseback
Pencil on wove paper
Henry Hugh Armstead RA
Half-length study of a reclining male nude
Pencil on wove paper
Henry Hugh Armstead RA
Nude studies of a male figure
Pencil on cream wove paper
Henry Hugh Armstead RA
A seated man with a book, for the Packington Shield, 1860 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Half-length study of a man with his head bowed, for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Sketches of children at play
Pen and ink on cream wove paper
Henry Hugh Armstead RA
A seated girl
Pencil over pen and ink on white laid paper
Henry Hugh Armstead RA
Study for 'The Dead Man of Bethany', 1862 or before
Pencil on wove paper
Henry Hugh Armstead RA
Study for 'In Prison!', 1862 or before
Pen and ink on white laid paper
Henry Hugh Armstead RA
Study of a partially draped, twisting male figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A standing male figure for the 'Vauxhall Bridge Church' designs
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Study for an illustration, 1860s ?
Pen and ink on white laid paper (check - the paper has a printed black border, is it mourning paper?)
Henry Hugh Armstead RA
Study of a kneeling female figure, for an illustration, 1860s ?
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Figure studies for 'The Fall of the Walls of Jericho', ca. 1862
Pen and ink over pencil on white laid paper
Henry Hugh Armstead RA
Study of a kneeling woman, for an illustration, 1860s ?
Pen and ink on laid paper
Henry Hugh Armstead RA
Study for 'In Prison!', 1862 or before
Pen and ink on white laid paper
Henry Hugh Armstead RA
Two nude studies of a standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on wove paper
Henry Hugh Armstead RA
Two nude studies of a male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of children and a standing woman, for an illustration, 1860s ?
Pen and ink with white paint and wash over pencil on cream wove paper
Henry Hugh Armstead RA
Scene with knights on horseback followed by a crowd, 1860s
Pencil on wove paper
Henry Hugh Armstead RA
Study of a mirror, 1860s ?
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of the head and shoulders of a woman with her head bowed, by 1862
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of an open book, 1862 or before
Pencil on cream wove paper
Henry Hugh Armstead RA
Fragment of a drawing of a standing man with a child
Pencil on wove paper
Henry Hugh Armstead RA
Standing male figure with his hands clasped, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two scenes with figures on horseback, 1860s?
Pen and ink on white laid paper
Henry Hugh Armstead RA
Studies of a boy and a man for 'Samuel and Eli', 1860s
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
An angel holding drapery
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
An angel holding drapery
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of standing female figures for the 'History of the Shirleys' reliefs, ca. 1858-1862
Pencil on cream wove paper
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862 or before
Pen and ink over pencil on white laid paper
Henry Hugh Armstead RA
Head of a man
Pen and ink on cream wove paper
Henry Hugh Armstead RA
Design for a standing figure for Vauxhall Bridge Church
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two studies of a crouching figure and other details, 1860s?
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two half-length studies of a male figure, 1860s?
Pencil on wove paper
Henry Hugh Armstead RA
Studies of male figures for an illustration, 1860s?
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Studies of a standing man wearing a turban, 1860s?
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Figure studies for 'Samuel and his Mother', 1860s
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a male figure for an illustration, 1860s?
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Three studies of male figures, possibly for the Doncaster Cup, 1850s?
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Two sketches of a standing child reading a book
Pencil on blue, lined writing paper (wove)
Henry Hugh Armstead RA
Sketches of a standing child
Pencil on blue, lined writing paper (wove )
Henry Hugh Armstead RA
Studies of men fighting for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on wove paper
Henry Hugh Armstead RA
Study of a kneeling woman for an illustration, 1860s?
Pen and ink and wash over pencil on cream wove paper
Henry Hugh Armstead RA
A standing woman with a young child, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Queen Elizabeth I on horseback
Pen and ink on tracing paper
Henry Hugh Armstead RA
A seated figure reading a scroll with a group of figures around him, after 1862
Pen and ink on tracing paper
Henry Hugh Armstead RA
A saint preaching to a crowd, after 1862
Pen and ink on tracing paper
Henry Hugh Armstead RA
Crucifixion scene flanked by two saints, after 1862
Pen and ink on tracing paper
Henry Hugh Armstead RA
Crucifixion scene flanked by 'Science and 'Literature', after 1862
Pen and ink on tracing paper
Henry Hugh Armstead RA
Study of a kneeling figure, 1860 or before
Pencil on wove paper
Henry Hugh Armstead RA
Study of a kneeling figure for 'Evening Hymn', by 1862
Pencil on wove paper
Henry Hugh Armstead RA
A standing male nude holding a cross
Pen and ink over pencil on white laid paper
Henry Hugh Armstead RA
Studies of a child for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on wove paper
Henry Hugh Armstead RA
Studies of kneeling figures for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on wove paper
Henry Hugh Armstead RA
Nude study of a male figure for the Pakington Shield, 1859
Pencil on wove paper
Henry Hugh Armstead RA
Nude study of a seated female figure for the Pakington Shield design, 1859 or before
Pencil on wove paper
Henry Hugh Armstead RA
Studies for 'The Dead Man of Bethany', 1862
Pencil, pen and ink and wash on wove paper
Henry Hugh Armstead RA
Sheet of figure studies
Pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a standing male, for the 'History of the Shirleys' relief, ca. 1858 - 62
Pencil, with pen and ink, on cream wove paper
Henry Hugh Armstead RA
Studies of a kneeling figure seen from the back
Pencil and pen and ink on wove paper
Henry Hugh Armstead RA
Three nude studies of a female figure
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A monk holding a scroll, for the 'History of the Shirleys' reliefs, ca. 1858 -1862
Pencil on wove paper
Henry Hugh Armstead RA
Nude studies of a standing child for the 'History of the Shirleys' reliefs
Pencil on cream wove paper
Henry Hugh Armstead RA
A seated man with his arm around a child, 1850s?
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude study of a figure group for the 'History of the Shirleys' reliefs, ca. 1858-1862
Pencil on cream wove paper
Henry Hugh Armstead RA
A kneeling man and other studies, 1860s?
Pencil, pen and ink on thick wove paper
Henry Hugh Armstead RA
Nude studies of two male figures, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862
Pencil on wove paper
Henry Hugh Armstead RA
A woman lying in a bed, 1860s?
Pencil on wove paper
Henry Hugh Armstead RA
Head and shoulders portrait of a woman with long hair
Pencil on thick wove paper
Henry Hugh Armstead RA
Study of a man wearing ecclesiastical vestments
Pen and ink over pencil on wove paper
Henry Hugh Armstead RA
Study of the head of a man wearing a turban for 'The Dead Man of Bethany', 1860s?
Pen and ink on thick wove paper
Henry Hugh Armstead RA
Design for the Sampson Vase
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A seated man embracing a child
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
A standing man holding a trowel, possibly for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Nude studies of two male figures on horseback for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies of a standing figure, probably for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Sketch of the upper torso of a nude female figure, ca. 1863
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male figure seated at a desk
Pencil on cream wove paper
Henry Hugh Armstead RA
Study of a male nude, 1855
Pen and ink over pencil on cream wove paper
Henry Hugh Armstead RA
Studies for 'The Fall of the Walls of Jericho', ca. 1862
Pencil, pen and ink, on cream wove paper
Henry Hugh Armstead RA
Study of a male saint for the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
Henry Hugh Armstead RA
Studies of figures for the 'Webb Monument' in St. Paul's Cathedral, After 1885
Pencil on cream laid paper
Henry Hugh Armstead RA
A standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
W. Robert Colton RA
Bust of Henry Hugh Armstead, R.A., 1902
Bronze
Henry Hugh Armstead RA
A seated male figure in profile, for carvings at Llandaff Cathedral
Pencil on cream wove paper
Henry Hugh Armstead RA
Drawing of carved acanthus leaf ornament, February 17 1842
Black chalk on wove paper