Jean Barbault, 'Vue des restes de l'Aqueduc de l'Eau Claudia.', 1761.
Engraving. 245 mm x 300 mm. © Photo: Royal Academy of Arts, London.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
'Vue des restes de l'Aqueduc de l'Eau Claudia.', 1761
After Jean Barbault (1718 - 1766)
RA Collection: Art
245 mm x 300 mm
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueil Des Plus Beaux Morceaux De L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy A Rome, Et Gravés En 128 Planches Avec Leur Explication. - A Rome:: [1761]
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![RA cast display installation]()
Our Collection
6 months ago
Video: Historic casts are re-installed at the RA Schools
After years in storage, watch as our cast collection is re-installed around the RA Schools.
-
![Richard Cosway RA, Richard and Maria Cosway, and Ottobah Cugoano (detail)]()
Our Collection
1 year ago
Untold Stories
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
-
![Sir Joshua Reynolds PRA,, Self-portrait of Sir Joshua Reynolds, PRA]()
Our Collection
> 1 year ago
Creative inspiration today from the first President of the Royal Academy
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
-
![Emma Stibbon RA, Collapsed Whaling Station, Deception Island, Antarctica]()
Our Collection
> 1 year ago
Video: Apocalyptic printmaking and extreme environments with Emma Stibbon RA
Watch Emma Stibbon describes the unforgiving conditions and dramatic landscapes that inspired her display in the Collection Gallery.
