RA Collection: People and Organisations
Engraver, art expert and historian. Active in Germany and Britain (1841-56).
Born: 1801
Died: 1882
Ludwig Gruner
Painted pillar and ribs by Giotto in the upper church of S.t Francesco at Assisi , 1850
Chromolithograph on wove paper
Ludwig Gruner
Capital of a Pilaster , 1850
Chromolithograph on wove paper
Ludwig Gruner
Hawthorn flower and fruit from Nature arranged for an ornamental border, 1850
Chromolithograph on wove paper
Ludwig Gruner
Paintings from the bath room of Cardina Bibbiena in the Vatican by Raphael d'Urbino, 1850
Chromolithograph on wove paper
Ludwig Gruner
Paintings in the style of the antique in the corridor of a castle of S. Angelo at Rome by Giulio Romano , 1850
Chromolithograph on wove paper
Ludwig Gruner
Decoration of a Portico of the XVIth. century in the Court Yard of casa Traversi at Milan , 1850
Chromolithograph on wove paper
Ludwig Gruner
Elevation of Portion of the Court Yard of 'Casa Taverna' at Milan , 1850
Chromolithograph on wove paper
Ludwig Gruner
Part of a carved ceiling in Palazzo Vecchio at Mantua, 1850
Chromolithograph on wove paper
Ludwig Gruner
Portion of the painted pilasters in the 'Gabinetto d'Isabella d'Este' at Matua , 1850
Chromolithograph on wove paper
Ludwig Gruner
Portion of a Painted ceiling in the Monastero Maggiore at Milan , 1850
Chromolithograph on wove paper
Ludwig Gruner
Portion of a Painted ceiling by Bernard. Luini XVIth. century in the church of the Monastero Maggiore at Milan, 1850
Chromolithograph on wove paper
Ludwig Gruner
External enrichment in stone and terra cotta by Bramante from the church ot S.ta Maria delle Grazie at Milan, 1850
Chromolithograph on wove paper
Ludwig Gruner
Painted details from the Church of St. Francesco at Lodi , 1850
Chromolithograph on wove paper
Ludwig Gruner
Paintings of a groined ceiling in the Church of St. Francesco at Lodi , 1850
Chromolithograph on wove paper
Ludwig Gruner
Details of the Paintings in the Church of S.ta Anastasia at Verona XIVt., 1850
Chromolithograph on wove paper
Ludwig Gruner
Details of the Church of S.t Andrea XII century at Vercelli, 1850
Chromolithograph on wove paper
Ludwig Gruner
Mosaic lunette above the high altar in the Basilica of San Clemente at Rome, 1850
Chromolithograph on wove paper
Ludwig Gruner
Mosaic-fountain in the house of Medusa at Pompei, 1850
Chromolithograph on wove paper
Ludwig Gruner
Painted wall in the house of the Labyrinth at Pompei, 1850
Chromolithograph on wove paper
Ludwig Gruner
Frieze from an ancient painting at Pompei , 1850
Chromolithograph on wove paper
Ludwig Gruner
Portion of a mural painting in the 'Casa de Bronzi' at Pompei , 1850
Chromolithograph on wove paper
Ludwig Gruner
A column from a wall painting at Pompei, 1850
Chromolithograph on wove paper
Ludwig Gruner
Portions of a painted wall in the house of the Second fountain, 1850
Chromolithograph on wove paper
Ludwig Gruner
Parts of two pavements in terrazzo alla veneziana at the palazzo del T at Mantua, 1850
Chromolithograph on wove paper
Ludwig Gruner
Ancient Roman tesselated pavement lately discovered at Brescia , 1850
Chromolithograph on wove paper
Ludwig Gruner
Inlaid wood of the 15th Century from the back of two chairs /, 1850
Chromolithograph on wove paper
Ludwig Gruner
Inlaid wood of the 15th Century , 1850
Chromolithograph on wove paper
Ludwig Gruner
Inlaid wood of the 15th Century , 1850
Chromolithograph on wove paper
Ludwig Gruner
Festoon by Sansovino in the church of Santa Sabina in Rome, 1850
Chromolithograph on wove paper
Ludwig Gruner
Frieze by Andrea dal Monte Sansovino, 1850
Chromolithograph on wove paper
Ludwig Gruner
Part of an ancient column , 1850
Chromolithograph on wove paper
Ludwig Gruner
Part of an ancient pilaster in the Villa Medici at Rome , 1850
Chromolithograph on wove paper
Ludwig Gruner
Greek frieze in Terra-cotta, 1850
Chromolithograph on wove paper
Ludwig Gruner
The french bean and the convolvolus from nature , 1850
Chromolithograph on wove paper
Ludwig Gruner
Flowers from nature ornamentally arranged, 1850
Chromolithograph on wove paper
Ludwig Gruner
Specimen of bookbinding in the 16th century, 1850
Chromolithograph on wove paper
Ludwig Gruner
Title-page , 1850
Etching
Ludwig Gruner
Buckingham Palace: Garden Pavilion: Perspective view of the Scott Room., 1846
Chromolithograph
Ludwig Gruner
Buckingham Palace: Garden Pavilion: One of the sides of the Octagon., 1846
Chromolithograph
Ludwig Gruner
Buckingham Palace: Garden Pavilion: Perspective view of the Octagon, or Milton Room., 1846
Chromolithograph
Bernardino (di Betto) Pinturicchio
'The Groined Ceiling of the Choir in St. Maria del Popolo, in Rome. By Pinturicchio.', 1844
Hand-coloured engraving
Bernardino (di Betto) Pinturicchio
'Liberia of the Cathedral of Siena. By Pinturicchio.', 1844
Hand-coloured engraving
Bernardino Luini
'The Monastero Maggiore at Milan. By Bernardino Luini.', 1844
Hand-coloured engraving
Various
'Details of the Decorations in the Church.', 1844
Hand-coloured engraving
Various
'Mural Decorations of the Transept.', 1844
Hand-coloured engraving
Various
'Decorations of the Groined Ceiling in the Side Chapels.', 1844
Hand-coloured engraving
Various
'The Groined Ceiling of the Church.', 1844
Hand-coloured engraving
Various
'The Ceiling of the Vestibule, with Sections.', 1844
Hand-coloured engraving
Various
'South Front of the Vestibule.', 1844
Hand-coloured engraving
Various
'North Front of the Vestibule.', 1844
Hand-coloured engraving
Various
'The principal Front of the Vestibule.', 1844
Hand-coloured engraving
Various
'Decorations of various Groined Ceilings.', 1844
Hand-coloured engraving
Moretto
'Palazzo Martinengo, in Brescia by Moretto.', 1844
Hand-coloured engraving
Correggio
'Le Camere di S. Paolo, in Parma by Coreggio.', 1844
Hand-coloured engraving
Giulio Romano
'Arabesques and coloured Stuccoes of the Giardino Pensile.', 1844
Hand-coloured engraving
Giulio Romano
'Galleria de' Marmi.', 1844
Hand-coloured engraving
Giulio Romano
'Decorations of the Uffizio della Scalcheria.', 1844
Hand-coloured engraving
Giulio Romano
'The Casino and Terra Cottas.', 1844
Hand-coloured engraving
Giulio Romano
'Decorations of the Hall of David.', 1844
Hand-coloured engraving
Giulio Romano
'Decorations on the Arched Ceilings and Frieze of the Two Principal Rooms.', 1844
Hand-coloured engraving
Giulio Romano
'Decorations on the Arched Ceilings and Frieze of the Two Principal Rooms.', 1844
Hand-coloured engraving
Baldassare Peruzzi and Raphael and Sebastiano del Piombo
'Paintings of the Ceiling A, and Details.', 1844
Hand-coloured engraving
Unknown artist
'Ceilings and Details in the Vestibule of the Palazzo Altieri.', 1844
Hand-coloured engraving
Unknown artist
'Ceiling and Frieze in the Vestibule of the Palazzo Montalto.', 1844
Hand-coloured engraving
Unknown artist
'Ceiling in the Villa Poniatowski.', 1844
Hand-coloured engraving
Raphael and Giulio Romano and Giovanni da Udine
'Details of the Decorations of the Vestibule B, and of the Walls of the Loggia.', 1844
Hand-coloured engraving
Raphael and Giulio Romano and Giovanni da Udine
Decoration of the Arched Ceiling D., 1844
Hand-coloured engraving
Raphael and Giulio Romano and Giovanni da Udine
Decoration of the Arched Ceiling C., 1844
Hand-coloured engraving
Raphael and Giulio Romano and Giovanni da Udine
'Decoration of the Dome A.', 1844
Hand-coloured engraving
Raphael and Giulio Romano and Giovanni da Udine
Longitudinal Section of the Loggia., 1844
Hand-coloured engraving
Raphael
Section of Part of the First Loggia., 1844
Hand-coloured engraving
Baldassare Peruzzi
Title-page, 1844
Engraving
Daniel Maclise RA
The eve before the battle. Riot and wassail of the Saxons, 1866
Etching
Daniel Maclise RA
The eve before the battle. Pious observance of the Normans, 1866
Etching
Daniel Maclise RA
Harold, about to oppose the invasion of William, offer prayers at Waltham Abbey, when the sacred image miraculously inclines forward from the cross, 1866
Etching
Daniel Maclise RA
A fiery star appears in England, portentous of disaster, and is apostrophized by the Monk of Malmesbury, 1866
Etching
Daniel Maclise RA
Harold, conqueror at Stamford, and wounded, sits at a banquet in York - A herald announces the landing of Duke William, 1866
Etching
Daniel Maclise RA
The retreat of Edwin and Morcar from York, 1866
Etching
Daniel Maclise RA
Meanwhile, Tostig and Harold Hardrada are victorious, and receive the submission of the city of York, 1866
Etching
Daniel Maclise RA
Duke William, in his galley, and accompanied by his fleet, crosses to England, 1866
Etching
Daniel Maclise RA
William, displays the relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, 1866
Etching
Daniel Maclise RA
Homage rendered to the consecrated banner, 1866
Etching
Daniel Maclise RA
Pope Alexander, consecrates a banner for William's service in his descent upon England, and grants a ring, containing a hair of St. Peter, 1866
Etching
Daniel Maclise RA
William consults the nobles and merchants of his dukedom, for help in his design, 1866
Etching
Daniel Maclise RA
William, bent upon invading England, begs for the aid of Philip I of France, and of Baldwin Earl of Flanders his father-in-law, 1866
Etching
Daniel Maclise RA
Tostig, meditating another attack upon Harold, solicits the aid of Swayn, King of Denmark, and Harold Hardrada, King of Norway, 1866
Etching
Daniel Maclise RA
Hugues Maigrot, a Monk, has audience of King Harold, to propose conditions from Duke William, 1866
Etching
Daniel Maclise RA
Tostig, defeated in his attempt against Harold, flies in his galley from the English coast, 1866
Etching
Daniel Maclise RA
William, in his hunting-ground at Rouen, receives intelligence from Tostig of Harold's coronation, 1866
Etching
Daniel Maclise RA
The coronation of Harold as King of England, 1866
Etching
Daniel Maclise RA
Edward the Confessor's death, 1866
Etching
Daniel Maclise RA
The marriage of Harold with Aldyth, sister to Edwin and Morcar, 1866
Etching
Daniel Maclise RA
Morcar, elected Earl of Northumbria, in place of Tostig, Harold mediates with the Nuncios of the election, 1866
Etching
Daniel Maclise RA
Harold, returned from Normandy, presents himself to Edward the Confessor, 1866
Etching
Daniel Maclise RA
Harold, about to return to England, bids adieu to William who loads him with farewell gifts, 1866
Etching
Daniel Maclise RA
Harold's oath of fidelity to William, sworn over the concealed relics of the saints, 1866
Etching
Daniel Maclise RA
Harold, William's companion in his campaign in Brittany, receives the submission of Conan, Earl of Bretagne, 1866
Etching
Daniel Maclise RA
Guy of Ponthieu gives further audience to Harold and his companions, whose release is demanded by heralds from Duke William, 1866
Etching
Daniel Maclise RA
Harold's captivity announced to William of Normandy, who is informed that Guy of Ponthieu demands ransom for him, 1866
Etching
Daniel Maclise RA
Harold and the Saxons are confined in the Castle of Beaurain, near Montreuil, 1866
Etching
Daniel Maclise RA
Harold and his companions, brought, as prisoners, before Guy of Ponthieu and his Norman Knights, 1866
Etching
Daniel Maclise RA
Harold's ship stranded on the Norman coast, in the territory of Guy, Count of Ponthieu, 1866
Etching
Daniel Maclise RA
Harold, departing on a visit to William of Normandy, takes leave of Edward the Confessor, 1866
Etching
Daniel Maclise RA
The night after the battle: Edith discovers, amid the slain, the body of Harold, last Saxon King of England, 1866
Etching
Daniel Maclise RA
Harold, in front of the standard of England, is pierced by a falling arrow, 1866
Etching
Daniel Maclise RA
The Normans, retreating, are stayed and turned by William, who discloses his face, to counteract the rumour of his having fallen, 1866
Etching
Daniel Maclise RA
Morning of the battle. The Norman chief Taillefer, leads Duke William's van, singing the song of Roland, and juggling with his sword, 1866
Etching
Daniel Maclise RA
The day before the battle. A knight, with monks, sent by William to negotiate with Harold, 1866
Etching
Daniel Maclise RA
The death of Tostig and Harold Hardrada, after the battle of Stamford Bridge, 1866
Etching
Daniel Maclise RA
Harold's interview with Tostig his brother, and with Hardrada, Tostig's ally, before the battle of Stamford Bridge, 1866
Etching
Daniel Maclise RA
William stumbles as he lands, but, grasping the earth with his hand, calls out that he thus takes possession of the English soil & so reassures his followers, who regarded his fall as an ill omen, 1866
Etching
Daniel Maclise RA
Harold and Duke William meet, 1866
Etching
Daniel Maclise RA
Harold and his Knights riding to their place of embarkation, at Bosham, Sussex, 1866
Etching
After James Fergusson
The Palaces of Nimroud restored, 1853
Chromolithograph
Ludwig Gruner
The Decorations Of The Garden-Pavilion In The Grounds Of Buckingham Palace. - Engraved Under The Superintendence Of L. Gruner, Author Of "Fresco Decoration In Italy During The 15th. and 16th. Centuries," &c. &c.; Member Of The Soc. Di Cora. Archa. Of Rome, Of The Athenæum Of Brescia, And Hony. And Corg. Member Of The Royal Society Of Architects Of London. With An Introduction By Mrs. Jameson. - London:: [1846]
06/5747
Ludwig Gruner
By Authority. Specimens Of Ornamental Art Selected From The Best Models Of The Classical Epochs. Illustrated By Eighty Plates. By Lewis Gruner, Author Of Fresco Decorations And Stuccos Of Churches, Palaces, And Villas In Italy During The Fifteenth and Sixteenth Centuries; And Of Her Majesty's Pavilion In Buckingham Palace Gardens, Etc. Etc. With Descriptive Text By Emil Braun. - London:: [1850]
05/517
Ludwig Gruner
Fresco Decorations And Stuccoes Of Churches & Palaces In Italy, During the Fifteenth & Sixteenth Centuries With Descriptions By Lewis Gruner, And A Comparison between the Ancient Arabesques & those of the Sixteenth Century By Mr. A. [i.e. J. I.] Hittorff, Architect. - London: [1844]
05/46
Ludwig Gruner
Das grüne Gewölbe zu Dresden eine Folge ausgewählter Kunstwerke dieser Sammlung nach den zeichnungen von R. Seidemann und E. Mohn mit erklärendem texte des Major Baron Von Landsberg - Dresden: 1862
12/2688