Historian Jenny Uglow tells the story of how Angelica Kauffman became a founding Member of the RA and one of the most revered artists in Georgian Britain.
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
When an artist is elected to the Royal Academy, it’s a tradition that they give one of their works to our Collection. Known as Diploma Works, we’ve gladly received quite a few in our 254-year history. So, can you name the artist behind these?
Over the past year, our team has been investigating the links between the RA and its colonial past. In our first post on this subject, we offer an update on this work, and capture how we’re documenting associations between 18th- and 19th-century Royal Academicians and colonial activities
Explore the exhibition of late works by one of Britain’s best-loved artists.
Constable didn’t know he was entering his ‘late’ period, but in the last ten years of his life he sought truth in nature, and created landscapes infused with timeless imagination.
Take ten minutes to meditate as we guide you through a slow, mindful look at Yinka Shonibare RA’s sculpture.
Enjoy five blissful minutes of mindfulness and art with this guided meditation.
Take ten minutes to meditate as we mindfully guide you through John Aldrige’s still life painting ‘Artichokes and Cathay Quinces’.
Spend 10 mindful minutes on a guided meditation through the details of Rodney Burn RA’s ‘Bracklesham Sands’.
What does a 230-year-old household bill tell us about life modelling in the 18th-century? Here, we explore the historical role of the female nude life model at the RA.
Angelica Kauffman and Mary Moser were the only two female founders of the Royal Academy. Here, we take a closer look at their careers and the challenges they faced within the RA.
19th-century women faced an uphill struggle to get equal access to training at the Royal Academy Schools. Here, we delve into the RA Archive to learn more about women’s fight for equality.
Spend 60 seconds exploring the dark mythology behind John William Waterhouse RA’s ‘A Mermaid’.
Two legs good, four legs better? Grab your pencils and sketch this tiny pony in two short poses from our 2019 event #LifeDrawingLive: the anatomy class.
In 2018, we hosted the world’s first-ever livestreamed life drawing class from the Royal Academy’s famous Life Room, #LifeDrawingLive. Grab a pencil and have a crack at each pose by life model Andrew Crayford.
In 1922, the Royal Academy elected its first female member in over 150 years, Annie Swynnerton – here’s how to read her enigmatic painting of a young woman.
Jump into the Last Supper, put a masterpiece from our Collection in your own living room or take a virtual tour of our beautiful building on Google Arts & Culture.
This meticulous and mysterious work by Meredith Frampton is full of contrasting symbolism. Our Collections team guide you through it in this three-minute read.
Fiona Maddocks meets the former teacher and pupil duo about their co-curated project on their Academy forebears.
Have a go at using a stencil to carve a pumpkin this Halloween. These stencils are all inspired by artworks from the RA Collection. Download it and get crafting!
Sarah Pickstone, alumna of the RA Schools, discusses the inspiration behind her new works in Burlington House, her co-operative studio and the democratic nature of drawing.
Become a film director for the day and create your very own cartoon animation inspired by artworks from the RA Collection.
The Great Spectacle charts 250 years of Summer Exhibitions – including 1914, when Suffragette Mary Wood attacked a John Singer Sargent portrait with a meat cleaver. We delve into the Royal Academy’s archive to find out how the Academy, and the public, reacted.
To celebrate our 250th birthday, we’re finally putting the treasures of our Collection on free display all across the RA. Each artwork has its own unique character, so which one matches yours?
Artistic director Tim Marlow gives a behind-the-scenes tour of the new Royal Academy of Arts.
Have a go at colouring different artworks from the RA Collection! Download a colouring sheet and crack out your pencils and pens.
Take a closer look at Henry Raeburn’s Boy and Rabbit, an intimate family portrait from the RA Collection.
Edward Burne-Jones and his fellow Pre-Raphaelites are famed for their paintings, but their illustrations, which were an important part of their early careers, are less well-known. Here’s a closer look at one of Burne-Jones’s wood engravings.
Bill Woodrow RA’s Fingerswarm is part of a new display of sculpture curated by Richard Deacon RA. Woodrow held a swarm of bees on his bare hand at a beekeeping course, sparking the idea for this surreal sculpture.
This painting-within-a-painting by Lawrence Alma-Tadema depicts his artist wife and her siblings examining an earlier work by the couple, painted to symbolise their marriage.
Turner Prize-winning artist Richard Deacon RA talks obsessive collecting, ambiguous titles and finding the interest in everything.
Pattern and design are as important as accuracy in this wood engraving by Charles Tunnicliffe RA. Come and take a closer look…
The year 2017 was the 50th anniversary of the partial decriminalisation of male homosexuality, marked at Tate Britain with an exhibition of ‘Queer British Art’, featuring Henry Tuke’s A Bathing Group from our collection. Take a closer look…
The Virgin and Child with the Infant St John, known as the Taddei Tondo, is the only marble sculpture by Michelangelo Buonarroti in a UK collection.
Painted quickly to develop ideas before the final work, this is one of 16 oil sketches by John Constable RA in our collection. Here’s an introduction to Flatford Mill from a Lock on the Stour.
Merry Christmas, art-lovers! This morning we bring you some light entertainment from the RA Collection – which, it turns out, is chock-a-block with pipers piping, french hens and maids a-milking. We’ve made just a few festive alterations…
The RA archive is a treasure trove of stories, memories and recordings about art and artists from the past 250 years. In honour of Explore Your Archive week, we introduce some of its highlights and four more London archives to explore, holding everything from American performance art footage to rare Japanese prints.
Sir William Chambers’s beautiful 18th-century drawing tells an ancient story about the beginnings of architecture.
Take a closer look at how one of Britain’s most celebrated 19th-century sculptors tackled an ancient Roman tale in marble.
The conflict blocked artists from travelling – but also led to a boom in the art market and the arrival of works by Titian and van Eyck. As a wave of commemorations marks Waterloo’s 200th anniversary, our Curator of Works on Paper explains.
As he prepares to open a new retrospective of the work of Eileen Cooper RA, we chat to Morgan Feely about his daily life at the RA.
On the eve of a major exhibition in London dedicated to Sir Joshua Reynolds, we delve into the RA’s archive to learn more about the Academy’s founding president.
Learn more about some of the highlights of our Collection that have recently gone on show in the John Madejski Fine Rooms.
How the RA played a role in the development of a dazzling new form of camouflage.
As a flamboyantly self-styled “working-class cockney”, Ruskin Spear RA found subjects for painting in the pubs, snooker halls and streets of Hammersmith, Fulham, Shepherd’s Bush and Chiswick.
For many homeless and marginalised people, art-making can seem a closed-off world. Our learning team tell us how the RA is trying to change that.
We take a look at the main printmaking techniques and some of the terminology you’ll encounter when looking at original prints.
As the V&A celebrates the highly influential artist and designer, we reveal how William Kent’s career came to life with his work for Burlington House – now the home of the Royal Academy.
Recent years have seen a host of new innovations here at the RA, but the election process for new Academicians has hardly changed in almost 250 years. Here is how it all works.
Tracing the emergence of landscape painting as a distinct genre in its own right.