The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
In 1922, the Royal Academy elected its first female member in over 150 years, Annie Swynnerton – here’s how to read her enigmatic painting of a young woman.
This meticulous and mysterious work by Meredith Frampton is full of contrasting symbolism. Our Collections team guide you through it in this three-minute read.
Combining allusions to both Renaissance and Pre-Raphaelite painting, Frank Cadogan Cowper’s Vanity celebrates beauty while cautioning against excessive self-regard. Unravel the painting’s influences in this three-minute read.
Dame Laura Knight RA was denied access to nude models throughout her studies. In Cornwall, she found the freedom and the friends to make up for lost time.
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
Frank Brangwyn’s ‘Sunflowers’ is an explosion of colour that captures the vibrancy of a much-loved plant. But did Brangwyn copy Van Gogh? And why sunflowers, anyway?
Within the RA’s Collection Gallery is a full-size copy of Leonardo da Vinci’s ‘Last Supper’, painted by one or more of his pupils. What can it tell us about the original masterpiece?
How much has the Summer Exhibition changed in 250 years? As the Great Spectacle exhibition looks back at the masterpieces from its history, we head back to 1771 to explore a work that documented the exhibition itself.
As you enter the RA’s new Collection Gallery, a very large (and slightly absurd) figure of Satan towers over you – in what looks suspiciously like the Tory “power stance”. Here’s the story behind the painting…
Take a closer look at Henry Raeburn’s Boy and Rabbit, an intimate family portrait from the RA Collection.
Edward Burne-Jones and his fellow Pre-Raphaelites are famed for their paintings, but their illustrations, which were an important part of their early careers, are less well-known. Here’s a closer look at one of Burne-Jones’s wood engravings.
Bill Woodrow RA’s Fingerswarm is part of a new display of sculpture curated by Richard Deacon RA. Woodrow held a swarm of bees on his bare hand at a beekeeping course, sparking the idea for this surreal sculpture.
This painting-within-a-painting by Lawrence Alma-Tadema depicts his artist wife and her siblings examining an earlier work by the couple, painted to symbolise their marriage.
Pattern and design are as important as accuracy in this wood engraving by Charles Tunnicliffe RA. Come and take a closer look…
The year 2017 was the 50th anniversary of the partial decriminalisation of male homosexuality, marked at Tate Britain with an exhibition of ‘Queer British Art’, featuring Henry Tuke’s A Bathing Group from our collection. Take a closer look…
The Virgin and Child with the Infant St John, known as the Taddei Tondo, is the only marble sculpture by Michelangelo Buonarroti in a UK collection.
Painted quickly to develop ideas before the final work, this is one of 16 oil sketches by John Constable RA in our collection. Here’s an introduction to Flatford Mill from a Lock on the Stour.
Sir William Chambers’s beautiful 18th-century drawing tells an ancient story about the beginnings of architecture.
Take a closer look at how one of Britain’s most celebrated 19th-century sculptors tackled an ancient Roman tale in marble.