Stories, news and highlights from our Collection and Library.
After years in storage, watch as our cast collection is re-installed around the RA Schools.
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
Watch Emma Stibbon describes the unforgiving conditions and dramatic landscapes that inspired her display in the Collection Gallery.
Over the past year, our team has been investigating the links between the RA and its colonial past. In our first post on this subject, we offer an update on this work, and capture how we’re documenting associations between 18th- and 19th-century Royal Academicians and colonial activities
Take ten minutes to meditate as we guide you through a slow, mindful look at Yinka Shonibare RA’s sculpture.
Enjoy five blissful minutes of mindfulness and art with this guided meditation.
Take ten minutes to meditate as we mindfully guide you through John Aldrige’s still life painting ‘Artichokes and Cathay Quinces’.
Spend 10 mindful minutes on a guided meditation through the details of Rodney Burn RA’s ‘Bracklesham Sands’.
What does a 230-year-old household bill tell us about life modelling in the 18th-century? Here, we explore the historical role of the female nude life model at the RA.
19th-century women faced an uphill struggle to get equal access to training at the Royal Academy Schools. Here, we delve into the RA Archive to learn more about women’s fight for equality.
Spend 60 seconds exploring the dark mythology behind John William Waterhouse RA’s ‘A Mermaid’.
In 2018, we hosted the world’s first-ever livestreamed life drawing class from the Royal Academy’s famous Life Room, #LifeDrawingLive. Grab a pencil and have a crack at each pose by life model Andrew Crayford.
The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
In 1922, the Royal Academy elected its first female member in over 150 years, Annie Swynnerton – here’s how to read her enigmatic painting of a young woman.
This meticulous and mysterious work by Meredith Frampton is full of contrasting symbolism. Our Collections team guide you through it in this three-minute read.
Discover how multicultural influences fuse together to create a wider view of global inclusivity in Yinka Shonibare RA’s cheeky sculpture.
Learn how a pair of engravings by satirical artist William Hogarth were used to alter the drinking habits of the British public in the 18th century.
Combining allusions to both Renaissance and Pre-Raphaelite painting, Frank Cadogan Cowper’s Vanity celebrates beauty while cautioning against excessive self-regard. Unravel the painting’s influences in this three-minute read.
Dame Laura Knight RA was denied access to nude models throughout her studies. In Cornwall, she found the freedom and the friends to make up for lost time.
Fiona Maddocks meets the former teacher and pupil duo about their co-curated project on their Academy forebears.
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
Frank Brangwyn’s ‘Sunflowers’ is an explosion of colour that captures the vibrancy of a much-loved plant. But did Brangwyn copy Van Gogh? And why sunflowers, anyway?
Within the RA’s Collection Gallery is a full-size copy of Leonardo da Vinci’s ‘Last Supper’, painted by one or more of his pupils. What can it tell us about the original masterpiece?
How much has the Summer Exhibition changed in 250 years? As the Great Spectacle exhibition looks back at the masterpieces from its history, we head back to 1771 to explore a work that documented the exhibition itself.
The Great Spectacle charts 250 years of Summer Exhibitions – including 1914, when Suffragette Mary Wood attacked a John Singer Sargent portrait with a meat cleaver. We delve into the Royal Academy’s archive to find out how the Academy, and the public, reacted.
As you enter the RA’s new Collection Gallery, a very large (and slightly absurd) figure of Satan towers over you – in what looks suspiciously like the Tory “power stance”. Here’s the story behind the painting…
To celebrate our 250th birthday, we’re finally putting the treasures of our Collection on free display all across the RA. Each artwork has its own unique character, so which one matches yours?
Take a closer look at Henry Raeburn’s Boy and Rabbit, an intimate family portrait from the RA Collection.
Edward Burne-Jones and his fellow Pre-Raphaelites are famed for their paintings, but their illustrations, which were an important part of their early careers, are less well-known. Here’s a closer look at one of Burne-Jones’s wood engravings.
Bill Woodrow RA’s Fingerswarm is part of a new display of sculpture curated by Richard Deacon RA. Woodrow held a swarm of bees on his bare hand at a beekeeping course, sparking the idea for this surreal sculpture.
This painting-within-a-painting by Lawrence Alma-Tadema depicts his artist wife and her siblings examining an earlier work by the couple, painted to symbolise their marriage.
Pattern and design are as important as accuracy in this wood engraving by Charles Tunnicliffe RA. Come and take a closer look…
The year 2017 was the 50th anniversary of the partial decriminalisation of male homosexuality, marked at Tate Britain with an exhibition of ‘Queer British Art’, featuring Henry Tuke’s A Bathing Group from our collection. Take a closer look…
The Virgin and Child with the Infant St John, known as the Taddei Tondo, is the only marble sculpture by Michelangelo Buonarroti in a UK collection.
Painted quickly to develop ideas before the final work, this is one of 16 oil sketches by John Constable RA in our collection. Here’s an introduction to Flatford Mill from a Lock on the Stour.
Merry Christmas, art-lovers! This morning we bring you some light entertainment from the RA Collection – which, it turns out, is chock-a-block with pipers piping, french hens and maids a-milking. We’ve made just a few festive alterations…
Sir William Chambers’s beautiful 18th-century drawing tells an ancient story about the beginnings of architecture.
Take a closer look at how one of Britain’s most celebrated 19th-century sculptors tackled an ancient Roman tale in marble.
On the eve of a major exhibition in London dedicated to Sir Joshua Reynolds, we delve into the RA’s archive to learn more about the Academy’s founding president.
Who was Mr. Turner? A contradiction, Timothy Spall told us at a recent panel discussion on Mike Leigh’s biopic. Watch the event and a behind-the-scenes video about the film here.
Learn more about some of the highlights of our Collection that have recently gone on show in the John Madejski Fine Rooms.
As a flamboyantly self-styled “working-class cockney”, Ruskin Spear RA found subjects for painting in the pubs, snooker halls and streets of Hammersmith, Fulham, Shepherd’s Bush and Chiswick.
We take a look at the main printmaking techniques and some of the terminology you’ll encounter when looking at original prints.