Roger Hiorns was born in Birmingham in 1975. He received his BA (Hons) in Fine Art at Goldsmiths College, University of London in 1996. His primary media is painting, sculpture and installation, using a wide variety of materials, including metals, wood, brain matter, crystallization and plastics. He also works in the media of video and photography.
Hiorns work is involved in the contemporary problem of identifying meaning and significance in the world. He involves himself in objects and behaviour that contradict the conditioned and appropriate approach to the art making of his forebears and his contemporaries.
Roger Hiorns’ sculptural work generates and inhabits interstices between dissentient ideas: construction and destruction; the theological and the technological; temporality and permanence; authoritarian control and organic spontaneity. His objects are threaded with an unease that ties them, and our experience of them, to the amorphous, unrelenting global anxiety which suffuses our everyday understanding and reality.
Hiorns has been featured in a number of exhibitions at institutions throughout Europe and the Americas, including the Biennale of Venice; MoMA PS1 Contemporary Art Center, Long Island City, New York; Tate Modern, London; the Armand Hammer Museum of Art at UCLA, Los Angeles; Walker Art Center, Minneapolis; and De Hallen, Haarlem.
Hiorns’ work is included in such institutional collections as The Museum of Modern Art, New York; the Art Institute of Chicago; Frans Hals Museum, Haarlem; and Tate Modern, London. In 2009, Hiorns was nominated for the Turner Prize for his critically acclaimed work, Seizure, a massive crystallization within the interior of a bedsit in a condemned South London council estate. In 2011, Seizure was acquired by the Arts Council Collection and is currently on a ten-year loan for exhibition at the Yorkshire Sculpture Park in Yorkshire, England. Hiorns has recently had solo exhibitions at the Art Institute of Chicago; Aspen Art Museum, Colorado; Centre PasquArt, Biel; Galerie Rudolfinum, Prague; and SNGMA, Edinburgh.
Hiorns lives and works in London.
Born: 1975
Nationality: British
Elected RA: 13 December 2022
Gender: Male
2022 Pathways, Annet Gelink Gallery, Amsterdam
Corvi-Mora, London
2019 Roger Hiorns Now, Scottish National Gallery of Modern Art, National Galleries
Scotland, Edinburgh
2018 Corvi-Mora, London
Faena Arts Center, Buenos Aires, Argentina
2017 A retrospective view of the pathway, Polk Brothers Park, Navy Pier, Chicago
2016 Ikon Gallery, Birmingham
Annet Gelink Gallery, Amsterdam
Luhring Augustine, New York
2015 Galerie Rudolfinum, Prague (cat)
Kunsthaus Centre PasquArt, Biel/Bienne (cat)
2014 Luhring Augustine, New York
2013 Firstsite, Colchester
The Hepworth Wakefield, Wakefield, UK
2012 De Hallen Haarlem, Haarlem, The Netherlands
MIMA, Middlesbrough, UK
Untitled, class, Wide Open School, Hayward Gallery, London
2011 Annet Gelink Gallery, Amsterdam
2010 Aspen Art Museum, Colorado
The Art Institute of Chicago, Chicago
2009 Turner Prize, Tate Britain, London
2008 Seizure, Harper Road, An Artangel / Jerwood Commission, London
Atelier Calder, Saché
2007 The Church of Saint Paulinus, Richmond, North Yorkshire
Camden Arts Centre, London
2006 Cubitt Gallery, London
Milton Keynes Gallery, Milton Keynes
Benign, Serpentine Gallery, London
2003 UCLA Hammer Museum, Los Angeles
Art Now, Tate Britain, London
2001 Corvi-Mora, London
2017 A retrospective view of the pathway, (pathways), Circa 1990 - ongoing, Off-site
project, Galerie Rudolfinum, Prague
2016 A retrospective view of the pathway, (pathways), Circa 1990 - ongoing, Suffolk
2005 Merce Cunningham Dance Company; Event, Barbican, London
2022 Post-Capital: Art and the Economics of the Digital Age, Kunsthal Charlottenborg,
Copenhagen
Summer Exhibition 2022, Royal Academy of Arts, London
Testament, Goldsmiths Centre for Contemporary Art, London
2021 Nothing is Lost. Art and Matter in Transformation, GAMeC, Bergamo
Post-Capital: Art and the Economics of the Digital Age, Mudam, Luxembourg
Into Nature, Assen, Drenthe, The Netherlands
2020 Lucht, Museum Kranenburgh, Bergen
2019 Wuzhen Contemporary Art Exhibition, Wuzhen
Berlin Atonal 2019, Berlin
The Aerodrome, Ikon Gallery, Birmingham
A Cool Breeze, Galerie Rudolfinum, Prague
2018 Sculpture, Luhring Augustine, New York
Robot Love, Van Abbemuseum, Eindhoven
Crash Test, La Panacée, MoCo, Montpellier
2017 The Policeman´s Beard is Half Constructed: Art in the Age of Artificial
Intelligence, Bonner Kunstverein, Bonn
Ruptures, Des Moines Art Center, Des Moines, Iowa
2016 Quiz 2, Mudam Luxembourg, Luxembourg City
The Forces behind the Forms, Kunstmuseen Krefeld, Krefeld
2015 SupraEnvironmental, Katonah Museum of Art, New York
Äppärät, Ballroom Marfa, Texas
Strange Pilgrims, The Contemporary Austin, Texas (cat)
Sculpture in the Close, Jesus College, Cambridge
Rare Earth, Thyssen-Bornemisza Art Contemporary, Vienna
History is Now: 7 Artists Take On Britain, Hayward Gallery, London (cat)
The Nothin Uv It, Bergen Kunsthall, Bergen
2014 In_We Trust: Art and Money, Columbus Museum of Art, Columbus
A Screaming Comes Across the Sky, LABoral Centro de Arte, Gijón
Taipei Biennial, Taipei Fine Arts Museum, Taipei
Body and Void: Echoes of Henry Moore in Contemporary Art, The Henry Moore
Foundation, Perry Green, UK (cat)
Making Colour, The National Gallery, London
Private Utopia: Contemporary Works from the British Collection, Tokyo Station
Gallery, Tokyo; Museum of Art, Itami, Japan; Kochi Museum of Art, Kochi, Japan;
Okayama Museum of Art, Okayama, Japan (cat)
2013 Dread – fear in the age of technological acceleration, De Hallen, Haarlem
Folk Devil, David Zwirner, New York
do it 2013, Manchester International Festival, Manchester Art Gallery, Manchester
The Encyclopedic Palace, 55th Venice Biennale, Venice
2012 Common Ground, Public Art Fund, City Hall Park, New York
2011 September 11, MoMA PS1, New York (cat)
British Art Show 7: In the Days of the Comet, Hayward Gallery, London
Dystopia, CAPC Museé d’art Contemporain de Bordeaux, Bordeaux (cat)
2010 Gerhard Richter and the disappearance of the image in contemporary art,
Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence
Crash, Gagosian Gallery, London
2009 The Quick and the Dead, Walker Art Center, Minneapolis
2008 Busan Biennale, Busan, Korea
Legende, Centre d’ Art Contemporain, Charamande, France
2007 Insubstantial Pageant Faded, Western Bridge, Washington
Destroy Athens, 1st Athens Biennial, Athens
Sculpture Biennale, Jesus College Cambridge
2006 How to improve the World; 60 Years of British Art, Hayward Gallery,
London (The Arts Council Collection)
2005 British Art Show 6, BALTIC Centre for Contemporary Art, Gateshead
(touring exhibition organised by the Hayward Gallery)
The Way We Work Now, Camden Arts Centre, London
Water Event, by Yoko Ono, Migros Museum für Gegenwartskunst, Zürich; Astrup
Still Life, Museo de Arte de Lima, Peru
2004 Trailer, Man in the Holocene, London
A Secret History of Clay, Tate Liverpool, Liverpool (cat)
Particle Theory, Wexner Center for the Arts, Columbus, Ohio
2003 Still Life, Museo Alejandro Otero, Caracas; Buenos Aires; Centro
Cultural Parque de España, Rosario; Biblioteca Luis Angel Arango; Bogotá
2002 The Dirt Of Love, The Mission, London
Shimmering Substance, Arnolfini, Bristol (cat)
2001 Looking With/Out, East Wing Collection, Courtauld Institute of Art, London
2000 Shot in the Head, Lisson Gallery, London
…comes the spirit, Jerwood Gallery, London
1999 Roger Hiorns, Enrico David, Clare Stephenson, Transmission Gallery, Glasgow
1998 True Science, Gallery K, Hamburg
1997 Olympic Village, Transmission Gallery, Glasgow
European Couples and Others, Transmission Gallery, Glasgow