Pipilotti Rist, a pioneer of spatial video art, has been a central figure within the international art scene since the mid-1980s.
Astounding the art world with the energetic exorcistic statement of her now famous single channel videos, such as ‘I’m Not The Girl Who Misses Much’, 1986 and ‘Pickelporno’, 1992, her artistic work has co-developed with technical advancements and in playful exploration of its new possibilities to propose footage resembling a collective brain. Through large video projections and digital manipulation, she has developed all-encompassing installations that draw life from slowly caressing showers of vivid colour tones, like her works ‘Sip My Ocean’, 1996 or ‘Worry Will Vanish’, 2014.
For Rist, showing vulnerability is a sign of strength on which she draws for inspiration. With her curious and lavish recordings of nature (to which humans belong as an animal), and her investigative editing, Rist seeks to justify the privileged position we are born with, simply by being human. Her installations and exhibition concepts are expansive, finding within the mind, senses and body the possibility for endless discovery and poetical invention. ‘Pixel Forest’, 2016, made from 3,000 thousand LEDs hung on strings, resembles a movie screen that has exploded into the room, allowing viewers an immersive walk through 3-dimensional video. As Anna Katz, curator at LA MOCA, puts it: ‘Ever watchful of the power dynamic between camera and viewer, insistently eschewing panoptical or omniscient views, Rist invites the viewer to be the agent of her own movement through the spatialized video field.’
Since 1984, Rist has had countless solo and group exhibitions, and video screenings worldwide. Her recent solo exhibitions are ‘Big Heartedness, Be My Neighbor’ at The Geffen Contemporary, MOCA, Museum of Contemporary Art Los Angeles (2021 – 2022), ‘Your Eye Is My Island’ at MoMAK, The National Museum of Modern Art Kyoto and ART TOWER MITO (2021). ‘Åbn min Lysning. Open my Glade’ at Louisiana Museum of Modern Art Humlebæk Denmark (2019), ‘Sip My Ocean’ at the Museum of Contemporary Art Sydney (2017 – 2018), ‘Pixel Forest’ at New Museum New York (2016 – 2017), ‘Your Saliva is My Diving Suit of the Ocean of Pain’ at Kunsthaus Zürich (2016) and ‘Come On Honey…’ at Kunsthalle Krems (2015), all resulted in record-breaking attendance numbers for each institution. The next solo exhibition is planned to open at Tai Kwun Hong Kong in May 2022.
Honorary RA
Born: 1962 in Grabs
Nationality: Swiss
Elected Hon RA: 9 September 2021
Gender: Female
Preferred media: Video art and Installation art
2023: UCCA Center for Contemporary Art, cur. Philip Tinari, Beijing, China 2022: Tai Kwun Hong Kong, cur. Tobias Berger, Central, Hong Kong 2021: The Geffen Contemporary at MOCA, MOCA Museum of Contemporary Art, Big Heartedness, Be My Neighbor, cur. Anna Katz, Los Angeles CA 2021: Art Tower Mito, ‘Pipilotti Rist: Your Eye Is My Island’, cur. Oko Goto Mito, Japan (Travelling Exhibition) 2021: Hauser & Wirth, Casa Gstaad Lieber Schmusen (Rather Smooching), site specific installation, Gstaad, Switzerland 2021: National Museum of Contemporary Art, Pipilotti Rist: Your Eye Is My Island, cur. Chinatsu Makiguchi, Kyoto, Japan (Travelling Exhibition) 2020: Vleeshal, ‘Pipilotti Rist. Near Focus’, Middelburg, Netherlands 2019: Louisiana Museum of Modern Art, Åbn min Lysning. Open my Glade, cur. Tine Colstrup, Humlebæk, Denmark 2018: Migros Museum für Gegenwartskunst, Collection on Display: Pipilotti Rist, Show a Leg, cur. Nadia Schneider Willen, Zurich, Switzerland 2017: MCA Museum of Contemporary Art Australia, Pipilotti Rist, cur. Natasha Bullock, Sydney, Australia 2017: MFA Museum of Fine Arts Houston, ‘Pipilotti Rist: Pixel Forest and Worry Will Vanish’, Houston TX 2016: Pinakothek der Moderne, Reset. Pipilotti Rist – Himalaya Goldsteins Stube, Munich, Germany 2016: New Museum, Pixel Forest, cur. Massimiliano Gioni, New York NY 2016: SKMU Sørlandets Kunstmuseum, Sip my Ocean, Kristiansand, Norway 2016: Kunsthaus Zürich, Dein Speichel ist mein Taucheranzug im Ozean des Schmerzes, cur. Mirjam Varadinis, Zurich, Switzerland
2021: Musée Beaux Arts, Triennale de l‘art imprimé contemporain 2021, Le Locle, Switzerland 2021: Auckland Art Gallery, All That Was Solid Melts, cur. Julia Engberg, Auckland, New Zealand 2021: Textilmuseum St. Gallen, Robes politiques – Women Power Fashion, St. Gallen, Switzerland 2021: Landesmuseum Zürich, Frauen. Rechte, Zurich, Switzerland 2021: Weserburg Museum für Moderne Kunst, The Way We Are 3.0, Bremen, Germany 2021: Kunsthaus Baselland, Nachleuchten Nachglühen. Videoinstallationen und ihre 2021: Wegbereiter, Muttenz, Switzerland 2020: Hauser & Wirth, Seeing Touch, St. Moritz, Switzerland 2020: LUMA, It’s Urgent!, Arles, France 2020: Schreiber & Mirjam Fischer, Zurich, Switzerland 2020: Abbatiale de Bellelay, art video musik vidéo kunst, Bellelay, Switzerland 2020: Paula Modersohn-Becker Museum, Berührend. Annäherung an ein wesentliches Bedürfnis, Bremen, Germany 2020: Atelier Hermann Haller, Wenn du geredet hättest. Dialoge mit Hermann Hallers Skulpturen, Zurich, Switzerland 2020: DMA Dallas Museum of Art, For a Dreamer of Houses, Dallas TX 2020: Zilla Leutenegger, Anne Loch, Josef Felix Müller, Guido Nussbaum, Pipilotti Rist, Roman Signer, Vivian Suter, Ernesto Tatafiore, Erwin Wurm’, Stampa, Basel, Switzerland 2020: Museum Ostwall – Dortmunder U, Body & Soul. Denken, Fühlen, Zähneputzen / Body & Soul. Thinking, Feeling, Brushing Teeth, Dortmund, Germany 2020: Hamburger Bahnhof – Museum für Gegenwart, Magical Soup. Media artworks in the collection of the Nationalgalerie, the Friedrich Christian Flick collection and selected loans, Berlin, Germany 2020: Kunstforum Wien, The Cindy Sherman Effect. Identität und Transformation in der zeitgenössischen Kunst, Vienna, Austria
2018: Aurora Award, Aurora Picture Show, Houston TX 2014: Willy Reber Art Price, Willy Reber Stiftung, Chur, Switzerland 2014: Swiss Grand Award for Art, Prix Meret Oppenheim, Federal Office of Culture / Federal Art Commission, Basel, Switzerland 2014: Baukoma Award for Marketing and Architecture, Best Site Development [for 2014: Stadtlounge, St. Gallen, with Carlos Martinez Architekten], Baukoma-Marketimpact AG, Kerzers, Switzerland 2013: Zürcher Festspielpreis, Zürcher Festspiele 2013, Zurich, Switzerland 2012: Bazaar Art 2012 International Artist of the Year, Bazaar Art Night, Art HK 12, Hong Kong 2011: Best architects 11 Award [for Stadtlounge, St. Gallen, by Pipilotti Rist & Carlos Martinez Architekten], Dusseldorf, Germany 2010: Cutting the Edge Award [for Pepperminta], Miami International Film Festival, Miami FL 2009: 26th Annual Award, Best Exhibition of Digital, Video, or Film [for Pour Your Body Out (7354 Cubic Meters) at MoMA, New York], AICA The International Association of Art Critics, New York NY 2009: President of the Jury’s Extraordinary Award [for Pepperminta], 6th Seville European Film Festival, Seville, Spain 2009: Joan Mirò Prize, Fundació Caixa Girona, Barcelona, Spain 2008: Internationaler City-People-Light-Award [for illumination project in St. Gallen, by Pipilotti Rist & Carlos Martinez], Philips, Switzerland 2007: St. Galler Kulturpreis, St. Gallischen Kulturstiftung, St. Gallen, Switzerland 2006: Honoree, Solomon R. Guggenheim Museum Young Collector’s Council Annual Artist’s Ball, New York NY 2003: Honorary Professor, UdK Universität der Künste, Berlin, Germany 2001: Zürcher Kunstpreis, Stadt Zürich, Zurich, Switzerland