RA Collection: People and Organisations
Book illustrator. Studied at Byam Shaw School of Drawing and Painting, London. Lived at Glenharvie, New Abbey, Dumfries And Galloway, Scotland.
He received his first book-illustration commission, for Hob and Bob, by Rose Fyleman, which appeared in 1944. Iin 1946 the Bodley Head commissioned Stewart to illustrate Sheridan Le Fanu’s Uncle Silas. Stewart worked on this for 18 months, but publication was postponed indefinitely for technical and financial reasons.
Born: 18 November 1915 in Philippines
Died: 3 October 2001
Gender: Male
Charles W. Stewart
Frontispiece illustration for Uncle Silas, 1947
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
'We walked in silence to the balustrade', illustration for chapter 3 of Uncle Silas, 1946-7
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
'Meanwhile, the winter deepened', illustration for chapter 36 of Uncle Silas, 1947
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
'The figure of Uncle Silas rose up, with a death-like scowl', illustration to chapter 44 of Uncle Silas, 1946-7
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
The Apparition, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
The Hall of Spiders, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
The Dark Breakfast, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
Steerpike and the twins driking a toast to the burning of the Library, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
In the Library, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
Swelter Rehearsing, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
The Prunesquallors engage Steerpike, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
Steerpike surveying Gormenghast, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
The First Attic, 1973
Pencil, black pen, wash, gouache and pastel
Charles W. Stewart
The Countess of Groan, 1973
Pencil, black pen, wash and gouache
Charles W. Stewart
Steerpike at Bay, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
Titus Explores, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
The Flood, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
The Skeletons, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
Titus's Tenth Birthday, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
Death of Barquentine, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
Irma and Bellgrove, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
The Thing, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
The Death of Deadyawn, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
The Master's Common Room, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
On the Way to the Doctor, 1974
Pencil, black pen, wash and gouache
Charles W. Stewart
Bartram-Haugh, drawing for Uncle Silas, 1940
Gouache and pencil on cream card
Charles W. Stewart
Profile sketches of Mme de la Rougierre for Uncle Silas, c. 1940
Pencil on dark cream wove paper
Charles W. Stewart
Sketch of male figure and studies for frontispiece of Uncle Silas, c. 1947
Pencil on dark cream wove paper
Charles W. Stewart
Drawing for 'Uncle Silas', 1947
Pencil on blue-grey wove paper
Charles W. Stewart
Sketch of Jack Munroe in Uncle Silas, 1947
Pencil on blue-grey wove paper
Charles W. Stewart
Sketch of Katina Paxinou's face, 1947
Red-brown pencil on blue-grey wove paper
Charles W. Stewart
Portrait sketch of Katina Paxinou in the role of Madame de la Rougierre in Uncle Silas, 1947
Pencil on blue-grey wove paper
Charles W. Stewart
Portrait sketch of Jean Simmons in the role of Maud in Uncle Silas, 1947
Pencil on blue-grey wove paper
Charles W. Stewart
Portrait sketch of Derrick de Marney in the role of Uncle Silas, in profile, 1947
Pencil on blue-grey wove paper
Charles W. Stewart
'The florid tracery of the iron gate showing like the draperies of white robes', illustration for Chapter 31 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'I lifted up my head and listened to the storm', illustration for Chapter 26 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'This lean figure sheathed in shining black cloth, whose eyes glittered with a horrible sort of cunning', illustration for Chapter 23 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'We were in no condition to be seen', illustration for Chapter 20 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'She stood scowling into the room with a searching and pallid scrutiny', illustration for Chapter 18 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'She had gripped my arm very fiercely in her great bony hand', illustration for Chapter 15 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'I was interrupted by Captain Oakley's voice at the window', illustration for Chapter 13 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'Madame uttered a slumbering moan, and turned more upon her face', illustration for Chapter 10 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'Looking with the absorbed gaze of an artist on the ruin', illustration for Chapter 7 or 8 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'Madame was grimacing after me with a vile derisive distortion', illustration for Chapter 6 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'I stared in something like horror upon the large and rather hollow features', illustration for Chapter 4 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'We walked in silence to the balustrade', illustration for Chapter 3 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'At the far end he nearly disappeared into the gloom', illustration for Chapter 1 of Uncle Silas, c. 1947
Pen and ink and gouache on blue-grey wove paper
Charles W. Stewart
'Madame had seized my wrists, and a wild struggle was going on', illustration for chapter 58 of Uncle Silas
Pen and ink on dark cream wove paper
Charles W. Stewart
Maud's arrival at Bartram-Haugh, unfinished illustration for chapter 31 of Uncle Silas
Pen and ink and pencil on cream wove paper
Charles W. Stewart
Title Page illustration for Uncle Silas, 1947
Pen and ink with blue pencil and gouache highlights on artists' board
Charles W. Stewart
'She stood scowling into the room with a searching and pallid scrutiny', illustration for chapter 18 of Uncle Silas, 1946
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
'Looking with the absorbed gaze of an artist on the ruin', illustration for chapter 8 of Uncle Silas, 1945
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
'She clasped me round the waist, and buried her face in my dress', illustration for chapter 61 of Uncle Silas, 1947
Pen and ink with gouache highlights on artists' board
Charles W. Stewart
A pink and white young lady... was flouncing up the last stair
Pen and ink with white gouache on wove paper
Charles W. Stewart
'She clasped me around the waist, and buried her face in my dress', illustration for chapter 61 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'Madame had seized my wrists, and a wild struggle was going on', illustration for chapter 56 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'Meanwhile, the winter deepened', illustration for chapter 36 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'She sat in a clumsy old armchair, with an ancient shawl about her, and her bare feet in a delft tub', illustration for chapter 53 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'A pink and white young lady... was flouncing up the last stair', illustration for chapter 51 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'She stood scowling into the room with a searching and pallid scrutiny', illustration for chapter 18 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'She had gripped my arm very fiercely in her great bony hand', illustration for chapter 15 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'Madame uttered a slumbering moan, and turned more upon her face', illustration for chapter 10 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'Madame was grimacing after me with a vile derisive distortion', illustration for chapter 6 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
'At the far end he nearly disappeared into the gloom', illustration for chapter 1 of Uncle Silas
Pen and ink with white gouache on paper
Charles W. Stewart
Frontispiece for Uncle Silas
Pen and ink with white gouache on paper
Eric Crozier
Noah Gives Thanks / by Eric Crozier ; illustrated by Charles W. Stewart - London: 1952
15/3012
C. Henry Warren
A boy in Kent / by C. Henry Warren ; with illustrations by Charles Stewart - London: [1944]
15/2994
J. Sheridan Le Fanu
Uncle Silas / by J. Sheridan Le Fanu ; with an introduction and edited by Christine Longford - Harmdonsworth; New York: 1940
19/1269
Terence Hanbury White
Mistress Marsham's repose - London: 1989
23/1178