| 001 | $ 03/2428 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a fre |
| 044 | # | # | $a ne |
| 100 | 1 | # | $a Richardson, Jonathan |
| 240 | 1 | 1 | $a [Works. $l French. $f 1728.] |
| 245 | 1 | 0 | $a Traité De La Peinture, Et De La Sculpture. Par Mrs. Richardson, Père & Fils: Divisé En Trois Tomes. |
| 246 | 3 | # | $a Essai sur la théorie de la peinture |
| 246 | 3 | # | $a Essay on the theory of painting |
| 246 | 3 | # | $a Essai sur l'art de critiquer |
| 246 | 3 | # | $a Essay on the whole art of criticism |
| 246 | 3 | # | $a Description de divers fameux tableaux |
| 246 | 3 | # | $a Account of some of the statues |
| 260 | # | # | $a à Amsterdam, $b Chez Herman Uytwerf. $c 1728. |
| 300 | # | # | $a 3 vols. [v.I: [xxviii], 221, [1]p. - v.II: [ii], 238p. - v.III: [iv], lxxii, [xxiv], 322, [3], 324-759, [1]p.]; $c 196 mm. (Octavo.) |
| 508 | # | # |
$a Richardson, in his Preface to Part I names the translator as A. Rutgers. The title-page vignette in volumes I and III is signed as invented and drawn by G. F. L. Debrie and engraved by Cl. Duflos in 1728. |
| 510 | 0 | # | $a See note on J. Richardson, Works (1773). |
| 520 | 2 | # |
$a The first volume contains Un Essai sur la théorie de la peinture (a translation of An essay on the theory of painting, 1715), with a new Preface by Richardson père. The second contains, Un Essai sur l'art de critiquer, en fait de peinture, & un discours sur la sience d'un connoisseur (An essay on the whole art of criticism as it relates to painting and an argument in behalf of the science of the connoisseur, 1719). The third (divided into two parts with continous pagination) contains the Description de divers fameux tableaux, desseins, statues, bustes, bas-reliefs &c. qui se trouvent en Italie (An account of some of the statues, bas-reliefs, drawings and pictures in Italy, 1722), with Un discours préliminaire sur le beau idéal by L. H. ten Kate. Ten Kate's short treatise complements Richardson's chapter on the sublime, and links this conception of an 'unaccountable something' to the earlier concepts of 'grace' and the 'je ne sais quoi'. It was itself translated into English as a separate pamphlet, in 1732. |
| 561 | # | # | $a Presented by Jonathan Richardson the younger, June 1769 (RAA CM I, 32). |
| 562 | # | # | $a Volume I is inscribed in ink on the title-page, 'Given by' in front of (in a different hand), 'Jonat. Richardson. Queen's Sq.'; volume III is inscribed in ink on page [iii] and on the divisional title-page of the second part, 'Given by Jonan: Richardson Esq'. A preliminary blank leaf in vol. I has a long inscription in ink in French. |
| 563 | # | # | $a Vols. I-II and III [part one]: mid 20th-century half calf, marbled-papered boards, by 'Ex-Libris'; vol. III ['Seconde partie']: contemporary mottled calf, rebacked in 1990. |
| 653 | # | # | $a Painting - Sculpture - Connoisseurship - Theory |
| 653 | # | # | $a Paintings, European - Paintings, Italian - Sculpture - Statues - Italy - History |
| 655 | # | 4 | $a Treatises - Art criticism - Great Britain - Netherlands - 18th century |
| 655 | # | 4 | $a Treatises - Translations into French - Translations from English - Netherlands - 18th century |
| 700 | 1 | # | $a Kate, Lambert ten |
| 700 | 1 | # | $a Richardson, Jonathan |
| 700 | 1 | # | $a Rutgers, Abraham $e translator |
| 700 | 1 | # | $a Uytwerf, Herman $e publisher |
| 700 | 1 | # | $a Debrie, Gabriel François Louis $e draughtsman |
| 700 | 1 | # | $a Duflos, Claude $e engraver |
| 852 | 8 | # | $d 1802: D-1-03; 1821: C-1-03. |