| 001 | $ 07/3434 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a eng |
| 044 | # | # | $a uk |
| 100 | 1 | # | $a Heaphy |
| 245 | 1 | 4 | $a The Likeness Of Christ: Being An Inquiry Into The Verisimilitude Of The Received Likeness Of Our Blessed Lord. By The Late Thomas Heaphy. Edited By Wyke Bayliss, F.S.A. |
| 260 | # | # | $a London: $b David Bogue, 3, St. Martin's Place, W.C. $c 1880. |
| 300 | # | # | $a [10], 78, [2] p., [12] pl. (incl. frontis.): $b illus; $c 448 mm. (Folio.) |
| 505 | 0 | # | $a [Half-t., frontis. (= pl. [1]), t.p.] - Preface (by Wyke Bayliss) - Contents - List Of Plates - [Text and pl.]; [colophon] - [Publisher's advertisement]. |
| 508 | # | # |
$a No plate is signed. The text printer is named in the colophon: 'Chiswick Press: - Charles Whittingham, Tooks Court, Chancery Lane.' [In 1880 the Chiswick Press was taken over by publisher George Bell.] |
| 510 | 0 | # |
$a M. Büchsel, Die Entstehung des Christus porträts (2003); I. Wilson, Holy faces, secret places (1991); R. Warland, Das Brustbild Christi (1986); G. Stuhlfauth, Die "ältesten Porträts" Christi (1918). A study of T.F. Heaphy appears in P.G. Nunn, 'The other Heaphys', Bulletin of New Zealand art history, 14 (1993), pp.3-8. On Wyke Bayliss see his own Olives: the reminiscences ... (1906). |
| 520 | 2 | # |
$a The work first appeared in the Art Journal in 1861. The text is in eight chapters: 1. Introduction; 2. Portraits From The Christian Cemeteries; 3. Portraits From The Catacombs. Frescoes; 4. Frescoes From The Catacombs; 5. Early Greek Works; 6. Enamels And Metal Work; 7. Mosaics From The Catacombs; 8. Mosaics From The Churches. The plates are uncaptioned, but are described in the List Of Plates as: 1. Mosaic from the church of S. Pudenziana; 2-5. Cloths from St. Peter's, S. Bartolomeo (Genoa), Vatican, S. Silvestro; 6. Metal and enamel from S. Maria in Trastevere; 7, 8. Mosaic from Roman catacombs; 9-12. Mosaics from the baptistery of Constantine, churches of S. Paul, SS. Cosimo and Damian, S. Prassede. All are colour-printed plates, tipped in. In 1898 appeared Wyke Bayliss's own Rex regum, a more elaborate study of the iconography of Christ. |
| 561 | # | # | $a The title page is inscribed in ink, 'Presented To The Library Of The Royal Academy of Arts The Author having been a "Life Medal" Student of the Schools. April 18th 1882.' The donor was the author's widow (see RA Annual Report for 1882, p. 48). The verso of the front free-endpaper is inscribed in pencil, 'J.E.H.', i.e. John Evan Hodgson, librarian of the Royal Academy 1882-95. |
| 563 | # | # | $a 19th-century red morocco, upper and lower covers having gilt-stamped ruled borders, upper cover lettered 'The Likeness Of Christ'; gilt-decorated spine, lettered 'The Likeness Of Christ Heaphy'/ |
| 600 | 0 | 4 | $a Jesus Christ |
| 653 | # | # | $a Christian art and symbolism - Iconography - History |
| 653 | # | # | $a Portraits - Paintings, Roman - Frescoes - Mosaics, Roman - Catacombs - Churches - Italy - Rome - History |
| 655 | # | 0 | $a Art history - Great Britain - 19th century |
| 655 | # | 0 | $a Pictorial works - Color printing - Great Britain - 19th century |
| 700 | 1 | # | $a Bayliss $e editor |
| 700 | 1 | # | $a Bogue $e publisher |
| 700 | 1 | # | $a Whittingham |
| 710 | 2 | # | $a Chiswick Press $e printer |