| 001 |
|
|
$ 16/3144
|
| 003 |
|
|
$ UK-LoRAA
|
| 005 |
|
|
$ 20230504154618.0
|
| 041 |
0 |
# |
$a eng
|
| 044 |
# |
# |
$a uk
|
| 110 |
2 |
# |
$a Royal Academy of Arts (London)
|
| 245 |
1 |
4 |
$a The exhibition of the Royal Academy, MDCCXCVII. The twenty-ninth.
|
| 260 |
# |
# |
$a London
$b Printed by Cooper and Graham, printers to the Royal Academy.
$c MDCCXCVII
$c [1797]
|
| 300 |
# |
# |
$a 38 p. ;
$c 25 cm.
|
| 490 |
0 |
# |
$a Exhibition of the Royal Academy
|
| 500 |
# |
# |
$a Rationem artis intelligunt docti, indocti fentiunt voluptatem. Quint. Inft. Orat. [t.p.]
|
| 510 |
4 |
# |
$a ESTC
$c T12723
|
| 510 |
0 |
# |
$a For a contemporary review of this exhibition published in 1797 see: The Royal Academy, or, A touchstone to the present exhibition. : By the assistance of which, the merits and demerits of every picture are, with the greatest candour, and much critical labour, made manifest to the observation of the public. These criticisms, now considerably and momentously metamorphosed, meliorated, and augmented, were first promulgated in the Morning post, under the signature of Anthony Pasquin [pseud. of John Williams]. 1797.
|
| 533 |
# |
# |
$a View a digitised version of this exhibition catalogue here: https://www.royalacademy.org.uk/art-artists/exhibition-catalogue/ra-sec-vol29-1797
|
| 562 |
# |
# |
$a Annotations: p. 31.
|
| 563 |
# |
# |
$a [First copy:] Catalogues for the exhibitions: 1797-1811 bound in one volume. Bound in 20th-century light brown buckram; black morocco spine-labels lettered in gold 'Exhibitions of the Royal Academy' and 'MDCCXCVII to MDCCCXI'
|
| 610 |
2 |
4 |
$a Royal Academy of Arts (London)
|
| 710 |
2 |
# |
$a Cooper and Graham (London)
$e printer
|
| 710 |
2 |
# |
$a Royal Academy of Arts (London)
$e publisher
|