| 001 | $ 03/2468 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a eng |
| 044 | # | # | $a uk |
| 245 | 0 | 0 | $a Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, ad Venetian schools; comprising some of the works of Leonardo da Vinci, the Caracci, Claude Lorraine, Raphael, Michel Angelo, the Poussins, and others, in His Majesty's Collection; engraved by Bartolozzi, P.W. Tomkins, Schiavonetti, Lewis, and other eminent engravers; with biographical and historical sketches of L. da Vinci and the Caracci. By J. Chamberlaine ... |
| 260 | # | # | $a London $b Printed by W. Bulmer & Co., sold by G. & W. Nicol $c 1812. |
| 300 | # | # | $a 2 parts; $c 575 mm. (Broadsheet). |
| 500 | # | # | $a Catalogued by National Art Library and Oxford University as having 73 pl. on 65 sheets. |
| 508 | # | # |
$a In the Royal Academy's holding all plates carry the name of the source artist and that of the engraver - F.C. Lewis, G. Lewis or P.W. Tomkins. Each carries the publisher's imprint of J. Chamberlaine and (except in one case) the date. |
| 510 | 0 | # | $a The reception of Claude's drawings and paintings in Britain is discussed in M. Kitson, 'Turner and Claude', in Turner Stud., 2:2 (1983), p.2-15; Classic ground: British artists and the landscape of Italy, by D. Bull et al. [exhibition catalogue] (1981); J.M. Friedman, Color printing in England 1486-1870 [exhibition catalogue] (1978), 17; C. Pace, 'Claude the enchanted: interpretations of Claude in England in the earlier nineteenth century', in Burlington Magazine, CXI (1969), p.733-40. |
| 520 | 2 | # |
$a This publication was a reissue of Imitations Of Original Designs By Leonardo da Vinci ... In His Majesty's Collection (1796) and Engravings From The Original Designs Of Annibale, Agostino, And Ludovico Caracci, In His Majesty's Collection ...(1797), with additions but including the two original title-pages. The Royal Academy already possessed the two earlier publications (recorded as acquired by 1802), and it appears to have acquired only additional leaves from the new publication - but only thirteen of those. These thirteen leaves carry fourteen plates; of which three carry two images - making a total of seventeen images. The tenth to the sixteenth of these carry engraved numbers XLI to XLVII; the first nine have had the numbers XXXII to XL added in pencil (in some cases replacing earlier engraved numbers); the seventeenth has had the number XLVIII added in pencil. Publication-dates of 1807 or 1809 are carried on all fourteen plates, apart from that numbered XLVII, which is undated. The prints all show drawings by Claude, apart from the two numbered XLII and XLVII, which show drawings by Poussin, and the two numbered XLIII and XLVI, which show drawings by Raphael. |
| 563 | # | # | $a 20th-century half calf, marbled-papered boards; spine lettered 'RA', red morocco spine-label lettered 'Leonardo Da Vinci'. Bound with 2 others. |
| 600 | 0 | 4 | $a Claude Lorrain |
| 600 | 1 | 4 | $a Poussin, Nicolas |
| 600 | 0 | 4 | $a Raphael |
| 600 | 0 | 4 | $a George III |
| 653 | # | # | $a Drawings, Italian - Drawings, French - Italy - Rome - 16th century - 17th century - Renaissance - Baroque |
| 653 | # | # | $a Collections - Great Britain - Berkshire - Windsor Castle - 18th century - 19th century |
| 655 | # | 4 | $a Pictorial works - Aquatints - Great Britain - 19th century |
| 700 | 1 | # | $a Chamberlaine, John |
| 700 | 0 | # | $a Claude Lorrain $e source artist |
| 700 | 1 | # | $a Lewis $e engraver |
| 700 | 1 | # | $a Lewis, George Robert $e engraver |
| 700 | 1 | # | $a Tomkins, Peltro William $e engraver |
| 700 | 1 | # | $a Poussin, Nicolas $e source artist |
| 700 | 0 | # | $a Raphael $e source artist |
| 700 | 1 | # | $a Bulmer $e printer |
| 700 | 1 | # | $a Nicol $e bookseller |
| 700 | 1 | # | $a Nicol $e bookseller |
| 852 | 8 | # | $d 1802: 16-0-00. |