| 001 | $ 06/5658 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a ita |
| 044 | # | # | $a it |
| 245 | 0 | 3 | $a Le Opere Del Pittore E Plasticatore Gaudenzio Ferrari Disegnate Ed Incise Da Silvestro Pianazzi Dirette E Descritte Da Gaudenzio Bordiga |
| 260 | # | # | $a Milano $b Coi Tipi Di Paolo Andrea Molina $c MDCCCXXXV. $c [1835] |
| 300 | # | # | $a [10], 16, [156] p., [88] pl. (pl. [35] is dble.); $c 367 mm. |
| 500 | # | # | $a The plates carry no plate-numbers, except that pl. [86-8] carry the numbers 'T. III, II, I'. |
| 505 | 0 | # | $a [T.p., dedic.] - [Plates and texts]. |
| 508 | # | # |
$a All plates are signed as painted by Gaudenzio Ferrari; and all as drawn and engraved by Silvestro Pianazzi (except that pl. [8] is unsigned by the draughtsman and engraver, and pl. [48], [50], [51] are signed as drawn by Gio. Zanolo and engraved by S. Pianazzi). The binder's name is gilt-stamped indistinctly inside the upper cover, 'A? Gratel...?' The work is dedicated by Gaudenzio Bordiga to Elisabetta D'Austria ... Vice-Regina Del Regno Lombardo-Veneto. |
| 510 | 0 | # | $a A. Nova, 'Popular art ... response to the holy mountain at Varallo', in Reframing the Renaissance, ed. C. Farago (1995), p.112-26, 319-21; L. Lazzaroni et al., Il concerto degli angeli: Gaudenzio Ferrari e la cupola del santuario di Saronno (1994); V. Viale, Gaudenzio Ferrari (1969); R. Wittkower, 'Montagnes sacrées', in L'Œil, 59 (1959). |
| 520 | 2 | # |
$a The publication-date of 1835 is given by the title-plate and the dedication. But the work was published for subscribers serially in fascicles. Wrappers of two fascicles are bound in with the Royal Academy's copy; which are numbered in ink, 1o and 23o, and carry the printed publication-dates of 1836 and 1846 respectively - the latter also carrying a note promising the future publication of fascicles 24-27 to complete the set. On the title-page the imprint names the printer only. On the wrapper of fasc. 23 S. Pianazzi is described as both engraver and 'Editore' and distributors / publishers are named for Turin (G.B. Maggi), Varallo (C.G. Pianazzi), Vienna (Artaria & Co.) (the wrapper for fasc. 1. names also a distributor / publisher for Paris (Vallardi)). The two wrappers also state that the print-run was of three hundred copies. The plates are outline engravings showing paintings and painted terracottas executed by Ferrari in the sacro-monte at Varallo and in churches at Saronno, Milan and elsewhere, depicting the lives of Christ and of the Virgin and other saints. The plates are accompanied by explanatory letter-press texts, finely composed and printed by Molina. |
| 563 | # | # | $a 19th-century half red morocco, marbled-papered boards; spine lettered 'Opere Di Gaudenzio Ferrari', 'R.A.' and 'Milano 1835'. |
| 600 | 1 | 4 | $a Ferrari |
| 600 | 0 | 4 | $a Jesus Christ |
| 630 | 0 | 0 | $a Bible. $p N.T. |
| 653 | # | # | $a Christian art and symbolism |
| 653 | # | # | $a Paintings - Frescoes - Sculpture - Terracottas - Churches - Church decoration and ornament - Italy - Varallo - Saronno - Milan - History - 16th century - Renaissance |
| 655 | # | 0 | $a Art history - Italy - 19th century |
| 655 | # | 0 | $a Pictorial works - Engravings - Typography - Italy - 19th century |
| 700 | 1 | # | $a Pianazzi $e draughtsman $e engraver $e publisher |
| 700 | 1 | # | $a Bordiga $e author $e publisher? |
| 700 | 1 | # | $a Molina $e printer |
| 700 | 1 | # | $a Zanolo $e draughtsman |
| 700 | 1 | # | $a Ferrari $e source artist |
| 700 | 0 | # | $a Elisabeth $e dedicatee |