Alexandra Harris tracks our enduring love affair with gallery gift shops, from eighteenth-century tea cups to postcards in space.
Discover the political and cultural landscape of Florence at the turn of the 16th century, when Renaissance masters Michelangelo, Leonardo, and Raphael worked in the city.
Our Senior Registrar, Edwina Mulvany, describes the delicate process of moving Michelangelo’s Taddei Tondo.
Meet the four nominees for this year’s RA Dorfman Prize, which celebrates international architects reimagining the future of architecture.
Ian Ritchie RA pays tribute to a master etcher whose travels at sea inspired his beautiful evocations of the British isles.
We asked contributors to the RA Magazine about their favourite uses of colour in art and culture. Here’s what they told us.
Hisham Matar on the artist’s passion for figuration, friendship and a life of the mind.
Michael Craig-Martin RA speaks to Ravi Ghosh about why objects became his obsession, ahead of his colourful retrospective in our Main Galleries.
Discover the revolutions and experimentation that shaped 20th century Ukrainian art.
Mark Hampson tells the stories of some of the former students of the RA Schools, from its inception in 1769 to the present day.
Christopher Le Brun PPRA remembers the painter’s generosity as a mentor and his inspirational independence as an artist.
Meet the artists and teachers behind Making Space, a new project at the RA that provides creative and professional support to eight learning-disabled and neurodivergent artists.
Will Jennings meets architecture graduates in the RA’s display ‘Crunch’ who are repurposing and reimagining building materials.
Flaming June is one of the most reproduced images in Victorian painting. What makes an artwork seize the public imagination in ways that give it a life far larger than its own?
Critic Ravi Ghosh meets two contemporary artists whose works address the legacies of Britain’s domination of India.
The award-winning novelist examines why contemporary artists of all disciplines are addressing imperial history in new ways.
Historian Richard Drayton decodes the potent messages behind the clothing worn in late 18th-century portraits.
Michael Craig-Martin RA pays tribute to an influential and generous artist, who was a prime mover in Britain’s Pop art scene.
Historian Jenny Uglow tells the story of how Angelica Kauffman became a founding Member of the RA and one of the most revered artists in Georgian Britain.
With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art.
Our magazine turns 40 this autumn. Editor Sam Phillips looks back through the archive to pick out his highlights from the past four decades.
Shane de Blacam’s former student, critic Shane O’Toole, celebrates the architect’s thoughtful transformation of public places across his home country of Ireland.
In this long-read, performance art pioneer Marina Abramović speaks to Sinéad Gleeson from her New York home, ahead of her long-awaited show.
Edwin Heathcote meets the architectural filmmakers whose documentary of life in a rehabilitation centre is featured in the RA’s Herzog & de Meuron show.
From London’s Tate Modern to Beijing’s Bird’s Nest stadium, Herzog & de Meuron’s buildings are world-renowned – yet their biggest impact has been on their home city of Basel, discovers Tim Abrahams as the RA celebrates their extraordinary architecture.
The RA’s primary school panel talks with Louise Benson about the process behind assessing the thousands of entries for this year’s Young Artists’ Summer Show.
In Deptford Market, Nancy Allen searches for objects she can transform in her sculptural work.
During the pandemic, Louis Morlæ taught himself how to make a virtual world from scratch and created a nightclub as an antidote to an infectious world.
While training in a martial arts gym in Islington, Motunrayo Akinola explains how art and fighting require the same discipline.
In St James’s Piccadilly, Anna Higgins finds solace within the walls of a Wren church, where William Blake – a favourite artist and a former student at the Schools – was baptised.
Writer Gary Younge visits ‘Souls Grown Deep like the Rivers: Black Artists from the American South’ and asks how its lessons might be brought closer to home.
Summer Exhibition 2023 co-ordinator David Remfry RA tells James Cahill about his colourful career in London and New York, and reveals highlights of this year’s show.
Remembering the life, career, studio, and artworks of Tom Phillips, as recalled by his friend, the editor and publisher Nick Tite.
As he prepares for his solo show at Tate Britain, the pioneering filmmaker and installation artist reveals his current cultural interests.
As we prepare to open ‘Souls Grown Deep like the Rivers: Black Artists from the American South’, writer Yinka Elujoba reflects on the extraordinary creativity of some works in the show.
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
As the RA unveils the Hispanic Society Museum & Library’s collection for the first time in Britain, Xavier Bray visits its atmospheric home in New York.
One of the most beautiful houses in London has reopened to the public. Here, Simon Wilson writes that the Former President of the Royal Academy’s home is a testament to his artistic vision.
The Berlin-based artist’s profound compassion and expressive depictions of those suffering were rooted in first-hand experience.
Torn between domestic life and the studio, the German painter portrayed women in a startling new light.
A founder member of the Blue Rider, the art group at the heart of German Expressionism, Münter developed a spontaneous painting method that captured the essence of things.
The new Royal Academician, renowned for his seafaring sculptures, invites Rosanna McLaughlin aboard his London space.
As the RA mounts the first major survey show of American artist Milton Avery in Europe, Kelly Grovier traces his career – from his artistic roots in American Impressionism to kinship with Abstract Expressionists including Mark Rothko – and Avery’s lifelong obsession with colour.
As we prepare to open this year’s Young Artists’ Summer Show, we asked schoolteacher Stephanie Cubbin what her art students have taught her about taking risks, sharing, and independence.
As the Royal Academy Schools Class of 2022 open up their studios for their final show, they reflect on how the building – from its Mayfair location to its crumbling corners – has influenced their practice.
From a striking coastal sculpture to a life-size betting shop made entirely of glass, artist Ryan Gander RA’s practice is brilliantly varied. Get to know the life and work of the newly elected Royal Academician.
For all your summer reading needs, we’ve picked 10 contemporary novels inspired by art and artists. Escape to the studios of 1970s New York, the courts of 15th-century Paris, or the deathbed of Francis Bacon…
The colour white can be as challenging for the painter as the blank white sheet of paper is for the writer. Ian McKeever RA reflects on James McNeill Whistler’s ability to create form using one of the most elusive colours.
When you can’t go to the art, let the art come to you. Here’s our pick of the best artist biopics and documentaries available to stream.
We’ve filled our galleries with Whistler, Klimt, and Rossetti’s paintings of women wearing white gowns, but what started this trend in the 1860s? Professor Lara Feigel explores the literary origins of this aesthetic moment.
Francis Bacon’s family links with Africa and his enduring friendship with photographer Peter Beard drew the artist’s eye to the animal kingdom and its killing grounds, writes Philip Hoare.
An ambitious architectural installation is coming to the RA. Here, Kester Rattenbury sheds light on American architect John Hejduk and his visionary constructions.
Kyōsai blurred the divide between the popular and elite art of 19th-century Japan. Christopher Harding introduces the master of satirical and traditional painting as a rare collection of Kyōsai’s art comes to the RA.
Far from evoking the past, Jock McFadyen RA’s eerie paintings imagine a dystopian future, writes Matthew Beaumont, as he prepares to meet the artist for his RA show, ‘Tourist without a Guidebook’.
Ahead of our exhibition exploring James McNeill Whistler and Joanna Hiffernan’s relationship, Celia Paul, artist and sitter for Lucian Freud, meditates on what it takes to be painted.
Painter Paul Huxley RA and sculptor William Tucker RA pay tribute to the former President of the RA who expanded the language of 20th century sculpture.
The Starr Fellowship provides a bursary and a studio at the RA Schools for a U.S. artist to develop their practice – we met 2021 Starr Fellow Kevin Gallagher.
Horace Ové’s work has influenced John Akomfrah RA, Isaac Julien RA and countless others. Ahead of Tate Modern’s group show, ‘Life Between Islands: Caribbean-British Art 1950s-Now’, artist Hurvin Anderson looks back at Ové’s films and the stories they tell.
Yinka Shonibare RA invited the renowned Brixton-based reggae poet Linton Kwesi Johnson to bring his powerful words to the Summer Exhibition. Caleb Azumah Nelson sits down with him to discuss the poetry of resistance.
Ahead of her Tate Modern show, Lubaina Himid RA selects artists in print whose words she admires.
Ahead of the exhibition ‘Francis Bacon: Man and Beast’ Jenny Saville RA reflects on the profound impact Bacon has had on her life and work.
Poet Sasha Dugdale reflects on Laura Knight RA’s evocative Gypsy portraits ahead of a major retrospective of the artist’s work in Milton Keynes.
Constable didn’t know he was entering his ‘late’ period, but in the last ten years of his life he sought truth in nature, and created landscapes infused with timeless imagination.
As Hélène Binet’s enigmatic photographs of buildings go on show at the RA, Fiona Maddocks asks the artist about the meeting between light and line, and mood and memory in her works.
Author Colm Tóibín traces the conflation of the animal and human condition in 20th-century art and literature.
This year, Yinka Shonibare RA is putting marginalised voices at the heart of the Summer Exhibition. Here, Kadish Morris explores the vision and art for this year’s show.
Author, classicist and comedian, Natalie Haynes, explores the theme of nature in classical mythology, from Bernini and Giambattista Tiepolo, to John William Waterhouse RA.
Psychiatrist Sue Stuart-Smith on how the seasons affect us all.
From artists’ abodes to land art on Beachy Head, the beautiful south is a cultural hotspot this summer.
From Virgil’s ‘Georgics’ to T.S. Eliot’s ‘The Waste Land’, novelist Ali Smith explores the spirit of spring in poetry
From PVC-clad performance art to site-specific sculptural interventions, the work of RA Schools students has thrived despite the pandemic. Charlotte Jansen meets three of the artists as they prepare their long-planned final-year show.
David Hockney spent lockdown capturing spring arriving in Normandy. Here, he reflects on how technology has transformed his practice
Art is back. Celebrate the return of galleries and fill your diaries with some of the best exhibitions from across the country.
Tristan McConnell reports from the Nairobi studio of RA Schools alumnus, Michael Armitage, whose solo exhibition at the Royal Academy is due to open May 2021.
Edith Devaney, curator of our upcoming David Hockney exhibition, explores how the artist harnessed springtime to explore the drama of nature, the process of grief – and the power of hope.
100-year-old artist Diana Armfield RA writes about the joy of painting the flowers in her garden.
This International Women’s Day, we celebrate an artist once dismissed as a “San Francisco Housewife” who refused to see parenthood as an obstacle.
Newly elected Royal Academician, John Akomfrah, has been exploring Black British life since the ‘80s. He tells us about being slammed in the press by Salman Rushdie and his love of Virginia Woolf.
Joy Labinjo is quietly changing the course of art history from a small studio in south London. Writer Fiona Maddocks meets Labinjo to discuss her ambitious paintings, and the next steps in her career.
As the first major European show of Packer’s work opens, Aruna D’Souza celebrates the painter’s powerful repurposing of art historical tradition.
As the Royal Academy brings Tracey Emin and Edvard Munch’s work together, Jennifer Higgie, host of ‘Bow Down: Women in Art History’ podcast, asks Emin what makes them kindred spirits.
As a retrospective of the photographer opens in London, Theo Gordon focuses on a pivotal series that commented on gay experience in 1980s Delhi.
Imogen West-Knights catches up with three young creatives as they prepare to exhibit in this year’s Young Artists’ Summer Show.
Although his accession to the English throne was marred by plague, the Scottish Stuart brought with him vibrant art and culture, says Clare Jackson.
No artist is an island, as Charlotte Jansen found when she met students and their mentors at the RA’s art school.
Curator Ann Dumas digs into how Paul Cézanne’s Provençal landscapes broke new ground with their blend of art and geology.
Hampstead in the 1930s was populated with modernist artists and architects. As Caroline Maclean gives a tour of the area, look out for the reference numbers on our illustrated map below.
A chance find in a market unearthed a bumper crop of early photographs by Charles Jones that are now art-historical treasures. Felix Bazalgette samples the artist-gardener’s rich pickings.
Rana Begum RA discusses moving studios during a pandemic, its impact on her creative process and how having the children at home has introduced some new qualities into her work.
While in lockdown Tessa Hadley pays a visit to her inner National Gallery, contemplating recollections of one of her favourite Renaissance altarpieces, Jacopo Di Cioni’s ‘Coronation of the Virgin’.
Plug in your headphones, sit back and relax with one of these podcasts, transporting you into the art world from the comfort of your front room.
The centuries-old techniques of woodcut and wood engraving are alive and well today, holding an enduring appeal for contemporary artists. But what are these processes and what is the difference? Fiona Maddocks investigates.
In 1930, the greatest works of the Italian Renaissance drew half a million visitors to the Academy. But there was a darker, political undercurrent to this blockbuster show, explains Katherine Jane Alexander…
Galleries and museums might be closed but you can still see major exhibitions from around the world, while swapping the crowds for a cuppa. We pick some of the best virtual tours and artworks currently available online.
Rooted in folk traditions, quilts from the Alabama hamlet of Gee’s Bend have long been prized by museums in the States. Now, their unbounded creativity has arrived in the UK.
From Titian to photos of Thatcher-era Gateshead, here’s our pick of the exhibitions across the UK we think you should see in March. And don’t you dare say you’re too busy.
Not every collector’s story ends happily. Novelist Sarah Dunant charts the bumpy tale behind Wilhelm Hansen’s treasured collection of Impressionist paintings, which go on display at the RA this spring.
The Impressionists are renowned for their enduring scenes of people and places, whether energetic seascapes or portraits of young women. Four artists – Hughie O‘Donoghue RA, Maggi Hambling, Ishbel Myerscough and Mali Morris RA – describe works that resonate with them in our upcoming exhibition ‘Gauguin and the Impressionists’.
From Linder’s radical feminist collages and Grayson Perry’s early pots, to the Barbican’s blockbuster survey of masculinity, here are 10 exhibitions you won’t want to miss.
From the largest-ever assemblage of works by Jan van Eyck, to the unveiling of the long-awaited Grand Egyptian Museum, 2020 promises to bring into focus some of the finest achievements in cultural history.
Come in from the cold this December with our recommended picks of exhibitions to see across the UK.
From David Bomberg’s fascination with the Old Masters to Kiki Smith’s first solo show in the UK, here are 10 exhibitions not to miss this November.
William Hogarth revelled in the vanity and corruption of London’s rakes and harlots. But his Comic History paintings also draw sobering parallels with Britain’s political climate today, writes Simon Wilson.
Six tonnes of steel mesh, eight kilometres of coiled tubing, a gallery flooded with sea water and a body that can be walked through: this autumn Antony Gormley RA transforms the Academy’s Main Galleries into a sequence of experiences that challenge the viewer. The show’s co-curator takes us behind the scenes.
From the focused, linear depictions in his early works, to the triumphant naked portrait painted at the top of his game, Lucian Freud’s self-portraits are a testament to the artist’s indefatigable journey. Friend and art critic Martin Gayford selects five works from our forthcoming exhibition ‘Lucian Freud: The Self-portraits’.
From Bridget Riley and the dazzling canvases of the Op-Art movement, to the culinary artefacts of the ancient world, here 10 shows across the UK that we recommend this month.
As art-making is ebbed out of schools across the country, we overlook the skills it delivers – strengths that should be the envy of “proper” academic education, says Michael Craig-Martin.
Feeling overwhelmed by all the art to see in this year’s Summer Exhibition? Here’s some guidance from poet and art critic Kelly Grovier, who met with the show’s coordinator to discuss its themes before selecting his own standout works to see.
As we introduce the Finnish artist Helene Schjerfbeck to British audiences, painter Ian McKeever RA reflects on her searing self-portraits; works that changed the way he viewed both art and himself.
The British-Guyanese artist spent decades in New York at the forefront of experimental abstract painting. Now, at age 85, he’s finally celebrated in a retrospective show at Tate Britain. We trace how he got there.
This year’s RA Architecture Prize winners, Elizabeth Diller and Ricardo Scofidio, are responsible for New York’s High Line, MoMA, Lincoln Center and The Broad – among many buildings. With two projects in London on the way, the American duo met Edwin Heathcote to talk punk, surveillance, disagreements and resistance.
In a world where social media screens for nudity, it’s remarkable that one of the few places we can look freely at the naked body in public is the art gallery, says Jill Burke from the University of Edinburgh, as ‘The Renaissance Nude’ opens at the RA.
As the Academician’s site-specific show opens at the RA, Jon Wood explains what we gain from the pleasures and perplexities of her works.
With the work of contemporary artist Bill Viola on show alongside works by Michelangelo, the exhibition’s co-curator imagines what the Renaissance master might have had to say about it, in a fictional letter to his nephew…
Eliza Bonham Carter, Curator and Head of the RA Schools, and RA Schools student Ewan Macfarlane share their thoughts. Cast your vote below.
Smartphones and tablets are becoming canvases for creativity, thanks to new apps. Charlotte Mullins tries some out with her family.
As part of RA Architecture Studio’s Invisible Landscapes series, urbanist Rachel Fisher weighs up the myriad ways that social technology can help us build human-centred cities.
We asked four writers to respond to key themes in ‘Bill Viola / Michelangelo’. On the subject of birth, art historian Ingrid Rowland reveals how both artists confront the particular and the universal in the cycle of life.
We asked four writers to respond to key themes in ‘Bill Viola / Michelangelo’. On the subject of emotional states, novelist Deborah Levy asks what it means to surrender to our most intense and incoherent feelings.
We asked four writers to respond to key themes in ‘Bill Viola / Michelangelo’. On the subject of mortality, the former bishop Richard Holloway writes that art and religion are driven onwards by the fact of our death.
With their direct eye contact and powerful stances, Egon Schiele’s drawings of women were some of the first to recognise female autonomy. But who were the artist’s models and how did their relationships with Schiele play out on paper?
As Phyllida Barlow prepares to open a new show of work at the RA, she joins composer Harrison Birtwistle, and journalist Fiona Maddocks, to exchange ideas about creativity – from how ideas arise to when you know they’re finished, and the trauma of titling.
This month see art that spans a millennium. From the 11th-century Domesday Book, to Japanese surimono prints and empty swimming pools, here are 10 exhibitions to check out this November.
Sarah Pickstone, alumna of the RA Schools, discusses the inspiration behind her new works in Burlington House, her co-operative studio and the democratic nature of drawing.
With Cornelia Parker’s Hitchcock-inspired barn in the Royal Academy’s courtyard, Sam Jacob takes a look at the psychological, architectural and social layers of this imposing installation.
The heyday of British watercolour is reflected at the RA in a free exhibition of works from the BNY Mellon Collection, says Ian Warrell.
As the drawings of Gustav Klimt and Egon Schiele go on show at the Royal Academy, Jill Lloyd reveals how these two giants of 20th-century Viennese modernism fuelled one another’s innovations on paper to push the boundaries of art and depict the human figure as never before.
He gave us the Shard in London, and in Paris the Centre Pompidou. On the eve of his first exhibition in the capital for 30 years, Renzo Piano meets Jonathan Glancey and reflects on a life of making buildings.
Mali Morris RA pays tribute to the inspirational life and work of the painter and printmaker Gillian Ayres RA, who passed away earlier this year.
As the RA mounts its groundbreaking exhibition on the art of the peoples of the Pacific Islands, Maia Jessop Nuku introduces its themes of voyaging, encountering and place-making.
Curators and scholars give us a glimpse of the remarkable diversity, ancient and modern, that marks out Oceania on the world’s art map.
With three landmark exhibitions in London this year – including the inaugural show of the RA’s new galleries – the artist discusses mysteries of the cosmos, classical mythology and chance encounters at her LA studio.
The artist Linder Sterling went from designing notorious artwork for the Buzzcocks to conjuring mytho-poetic forces on a beach in St Ives. With a new show at Nottingham Contemporary, we explore the pioneering punk’s two very different defining moments.
Charles I might have had a keen eye for art, but his queen’s eye was sharper and far more sophisticated. With the couple’s extraordinary art collection currently on display at the RA, the consort’s biographer Erin Griffey explores her life, style and legacy.
Salvador Dalí may have made Surrealism famous, but an overlooked group of artists, writers and activists in 1940s Cairo made the movement their own. Here we look at their pioneering work, currently on show at Tate Liverpool.
In 1936 British artist Gluck painted herself and her lover in a radical depiction of same-sex partnership. With a show at Brighton Museum and Art Gallery exploring her life and work, we look at the story behind the painting.
With a new show at White Cube Bermondsey, the artistic duo tell us eight things about their lives, art, fame, bigots, liberals, Brexit, and their favourite East End Turkish restaurant.
Political turmoil in 17th-century Europe threw up exciting pickings for Charles I’s art collection. But after a civil war that led to his execution, his masterpieces were dispersed across the globe. Here, Jenny Uglow introduces our show finally reuniting the king’s treasures.
The international architect talks art collections, local communities and working for the disempowered at his London studio.
The pair may seem like opposites, but our exhibition this autumn shows they shared surprising artistic interests. Here, curator Dawn Ades explores four aspects of their enduring affinity for each other’s work.
With four decades of his photographs currently showing at Whitechapel Gallery, the artist divulges the hidden world of his virtual darkroom.
As the pioneering American artist covers Blenheim Palace with her provocative text-based work this autumn, she discusses a career of making art with words.
The pioneering artist and designer has been overshadowed by her father for over a century, but a new show at William Morris Gallery is stitching together the threads of her own remarkable career.
As a retrospective of the 1980s icon opens at the Barbican, art historian Morgan Falconer traces how the artist cracked the New York art scene and chased his wildest dreams.
Art critic Michael Prodger recommends the best new biographies of artists and art lovers – from Renoir to Peggy Guggenheim.
This month the RA celebrates Jasper Johns as one of America’s greatest living artists – here art historian Barbara Rose explores the complex transformations of objects and images throughout his work.
From an exploration of recent LGBTQ+ art to a vibrant celebration of tulips, here’s our pick of the best new exhibitions to see this month.
The artist’s studio faces extinction in the capital if the property market continues to price artists out. But change might be afoot, reports architectural critic Hugh Pearman, as he explores six possible solutions.
Rather than being supplementary to his paintings, were Raphael’s drawings works of genius in their own right? RA Magazine’s Sam Phillips argues the Ashmolean Museum’s once-in-a-lifetime show offers a rare chance to reassess this aspect of his work.
How are the capital’s artists using their working spaces today? In the spirit of this year’s Summer Exhibition, which is encouraging artists who have not shown before at the RA, Skye Sherwin visits first-time exhibitors at work to see what they are bringing to the Academy.
As a new show at the National Portrait Gallery places the two artists side by side, Lauren Elkin explores how Gillian Wearing RA finds identity-blurring inspiration in the inter-war writer and photographer Claude Cahun.
Emma Crichton-Miller charts the fortunes of St Petersburg’s porcelain factory, from supplier of exclusive editions to the Russian court, to producer of high end Soviet agit-prop.
With prints on her walls by Calder, Klee and Keith Haring, Cath Kidston has long been an avid collector, and the London Original Print Fair has been the designer’s hunting ground. Martin Gayford went to see the works adorning her Gloucestershire home.
Rebecca Salter RA brings her artist’s palate to matters of taste, in a delicious round-up of the best books on art and food.
He shot to fame as a painter, but for the past 20 years Gary Hume RA has also made prints. Amy Macpherson visits him at the RA Schools’ print workshop ahead of his selling show in the Keeper’s House.
The photographer’s workspace in a former Berlin department store houses giant printers, tropical plants and DJ turntables. Anna Coatman meets the acclaimed artist and EU campaigner.
As ‘America after the Fall’ brings some of the country’s most iconic works to Europe for the first time, Sarah Churchwell considers the cultural and political backdrop to Depression Era art.
Can we consider colours as purely subjective forces? Kassia St Clair and Emyr Williams go head to head. Vote on the winner below.
With a momentous exhibition marking the centenary of the Russian Revolution, Martin Sixsmith charts the course of a pivotal period in art, from euphoric creativity to eventual repression.
Fifty years since Florence was hit by the floods that destroyed not only lives but invaluable art treasures, Claudia Pritchard reports on the legacy.
Seeking advice as she co-curated our Abstract Expressionism exhibition, Edith Devaney went to New York to meet Dore Ashton and Irving Sandler – two commentators who championed the likes of Mark Rothko and Willem de Kooning, and entertained them in their kitchens.
Eight gift ideas to awaken the imagination and dazzle the senses… Bob and Roberta Smith RA chooses the best children’s books about art and design.
The RA archive is a treasure trove of stories, memories and recordings about art and artists from the past 250 years. In honour of Explore Your Archive week, we introduce some of its highlights and four more London archives to explore, holding everything from American performance art footage to rare Japanese prints.
How do painters from different generations see Abstract Expressionism today? Two RA Schools alumni, Basil Beattie RA and Aimée Parrott, met in the Academy’s show to discuss the movement’s enduring influence.
Can utopian ideals help architects to build better futures? Or are these efforts doomed to be too rigid, over-simplified and suppressive? Ian Ritchie RA and Hugh Pearman go head to head. Vote on the winner below.
The Belgian artist James Ensor painted life through the lens of the carnival, creating unsettling and often satirical works. Michael Prodger searches for the man behind these intriguing images.
Picasso’s friends and family are the focus of an exhibition showing how portraiture pushed the artist forward, writes Christopher Baker
Despite the image of art dealing as a man’s world, women played a crucial role in the display, promotion and sale of 20th-century British art. Gill Hedley profiles three female gallerists who promoted British artists.
As Christie’s auction house celebrates 250 years of wielding the gavel, Martin Oldham tracks down its founder James Christie, a man who turned the humble auction into the spectacle it remains to this day.
Modern artists rejected the Western canon in favour of tribal art, writes Simon Wilson, as he takes in shows in Vienna and Berlin.
As the Academy stages a show of Peter Cook RA’s drawings to mark his 80th birthday, Kate Goodwin asks the architect about his vision for urban ways of life.
What did the artists associated with Abstract Expressionism do so differently? And how is their work still relevant today? As the first survey of Abstract Expressionism for nearly 60 years is staged in Britain, co-curator David Anfam answers key questions.
Should artists bow to tradition, or should they break all the rules? Martin Gayford and Richard Cork go head to head. Vote on the winner below.
The ebullient, multimedia artist-poet Brian Catling RA is reluctant to identify his studio as a physical space, as Fiona Maddocks discovered when she met up with him in Oxford.
David Hockney RA returns to the Academy this summer with his sparkling new series of portraits. Barry Humphries, creator of Dame Edna Everage and friend of the artist, recounts his experience of sitting for a portrait in Hockney’s Los Angeles studio.
For Etel Adnan, art world success came late – in her eighties. Anna Coatman met the writer and painter in Paris ahead of a major show in London.
Artist duos are challenging the concept of individual authorship. Now they are celebrated at this year’s Summer Exhibition. Fiona Maddocks asks four pairs of artists how they collaborate.
Without the contrast to harsh judgements, does praise have any meaning? Or is the role of the critic to simply inform and encourage readers to go and see for themselves? Jonathan Jones and Simon Wilson go head to head. Vote on the winner below.
Giorgione left few clues to his life, yet he was at the heart of a creative explosion in 16th-century Venetian painting that changed the course of European art. Ali Smith brings to life the fusion of originality and poetry in his work.
The first decade of the 16th century saw Venice become a creative cauldron, as a glittering array of painters put the city on the cusp of an artistic golden age. Sarah Dunant celebrates some of the most influential figures.
Botticelli was a huge success, then virtually forgotten before his resurrection by the Pre-Raphaelites, reveals Simon Wilson ahead of a lavish V&A show.
The Swedish painter Hilma af Klint was making abstract art before Kandinsky, but her spiritualist methods have undermined her standing in art history. Now her work is being reassessed at the Serpentine Galleries.
As an exhibition opens on Delacroix and his legacy, Martin Oldham draws out three qualities that mark him as a modern artist.
Garden historian Tim Richardson explores the relationship between artists and garden-makers, and selects six of the world’s most celebrated garden designers to shed new light on the artists in Painting the Modern Garden.
In Rose Wylie RA’s Kent studio, paint spatters are everywhere. Fiona Maddocks meets the artist whose star is shining late in life.
In recent years there has been rapid growth of major museums in the Middle East. Anthony Downey investigates the social, political and ethical challenges that face these new institutions.
New spaces at the Academy in 2018 will showcase the RA’s superb art collection. Laura Gascoigne delves into the bequest of Carel Weight RA, an artist who donated outstanding works.
Curator Ann Dumas sets the scene for our major exhibition of garden painters, revealing how Monet’s passion for plants pushed the boundaries of his art.
Is how an artist’s work is conserved part of their remit as its creator, or is it a decision for those caring for and interpreting the work for the public? An artist and an art historian go head to head.
A review of the RA Collection has turned up a vital historical document, the Royal charter of the Society of Artists. RA archivist Mark Pomeroy explains.
As his biography of Benjamin West PRA is published, Loyd Grossman reveals how this founding member of the Academy broke with the past like no other artist of his era.
Ma Jian is renowned for his novels exploring subjects censored in China, where his books are banned, and he has been barred from entering the Chinese mainland. Ahead of Ai Weiwei’s RA retrospective, we asked the writer about his admiration for the artist, and about the limits of free expression in China.
The Swiss artist Jean-Etienne Liotard was one of the great portraitists of the Enlightenment. Christopher Baker introduces the idiosyncratic Orientalist whose travels through the courts of Europe and beyond resulted in works of exceptional delicacy.
Fearless and uncompromising, Ai Weiwei’s art challenges cultural values, confronts injustices and pushes materials to their limit. Sam Phillips talks to the artist about his show at the RA, which he was not expecting to be able to attend.
The late John Hoyland RA told Damien Hirst about meeting Francis Bacon, and what it is to be a painter.
Chris Wilkinson RA has continued to value hand drawing in an age where digital software prevails in architectural offices. Hugh Pearman meets him as a show opens at the RA to accompany the publication of his sketchbooks.
The intensely wrought paintings of Frank Auerbach find their match in Giacometti’s sculptures, as two shows reveal, says Simon Wilson.
Joseph Cornell created curious worlds of long ago and far away in his boxes of found objects. We examine the work of this American trailblazer ahead of his RA exhibition.
The imagined portraits by this RA Schools alumna and Turner Prize nominee are revelations from another world, says Kelly Grovier.
Leading abstract painter Frank Bowling RA welcomes a major show that reassesses Jackson Pollock’s black pourings.
Would building more museums help to improve society or be a wasteful luxury? Theatre-maker Stella Duffy and curator Kieran Long go head to head. Read both sides then vote in the poll below.
As parts of Eduardo Paolozzi RA’s mosaics are removed from Tottenham Court Road tube station ahead of Crossrail, Richard Cork hopes that Transport for London will honour its promises.
Rubens’s influence on painting extends right up to today, as a room curated by Jenny Saville RA for ‘Rubens and His Legacy’ reveals. Tim Marlow asks the painter about her response to the Flemish master as both artist and curator.
How do you break the barriers that stop people coming to an art institution? Caroline Bugler gets some first-hand experience of the RA’s creative sessions that encourage access for everyone.
As the Academy celebrates the American master, painter Ian McKeever RA explores Richard Diebenkorn’s profound inquiry into the nature of abstraction.
A survey of work by Cornelia Parker RA is the opening show at Manchester’s newly renovated Whitworth Gallery – featuring a room hung with the negatives from a poppy factory.
Should art have politics at the forefront of its agenda? Artist Bob and Roberta Smith RA and critic Kelly Grovier go head to head.
As Sonia Delaunay’s paintings, textiles and murals come to London, painter Jennifer Durrant RA explores her vibrant work.
From his battle scenes to royal portraits, landscapes and altarpieces, Rubens’s extraordinary output occupies a uniquely heroic position in the history of art. Waldemar Januszczak argues that art was one thing before him – and another thing after.
As a major show of the revolutionary William Blake’s work opens in Oxford, Alan Moore, the legendary comic book author, delights in the artist’s subtle satire of Isaac Newton.
In 1986 paint stripper was thrown over Allen Jones’s sculpture ‘Chair’ (1969) during a Tate show. Alison Bracker talks to conservator Lyndsey Morgan about her experience restoring the work in the face of controversy.
Ron Arad RA and Sam Jacob discuss whether considerations of beauty are valuable in architecture, or whether they detract from more important issues.
Marlene Dumas Hon RA’s paintings elevate women to mythic status. Here we celebrate the vision of a major artist as her powerful Amsterdam show comes to London.
The Mexico-based businessman Juan Antonio Pérez Simón has amassed one of the world’s greatest collections of art. He talks to us about his love of Victorian art as his 19th-century masterpieces visit Leighton House Museum, the home of the former RA President.
In an article from the RA Magazine archive, we find out what happened when two Academicians joined Gordon Ramsay at his Claridge’s restaurant.
Throughout his career, the German artist Anselm Kiefer has confronted the weight of the past and the power of myth on a monumental scale. As the RA stages a major retrospective, Martin Gayford chronicles the extraordinary vision and transformative force of this colossus of contemporary art.
Three Royal Academicians – an architect, a sculptor and a painter – respond to memory, mystery and material in the work of Anselm Kiefer.
An insight into Eddie Chambers’s ‘Black Artists in British Art: A History from 1950 to the Present’, the first comprehensive study on the topic.
Although their erotic and existential angst once fell foul of public taste, Egon Schiele’s nudes have stood the test of time, argues Simon Wilson.
As a major Malevich show goes on view, Zaha Hadid RA reveals how her use of painting and drawing to develop buildings was inspired by the artist.
A new book of Norman Ackroyd RA’s watercolours captures the immediacy of the moment, as the artist explains.
As Marina Abramovic Hon RA’s latest performance art piece opens, we spotlight key moments in her career.
The multiple meanings of West’s witty sculptures are unravelled at The Hepworth Wakefield this summer.
As students from the RA Schools prepare for their final show, what are their feelings about leaving after three intensive years of study? Some of them discuss the issues they face with Schools tutor Brian Griffiths and Phyllida Barlow RA, who has been involved in art education for 45 years.
Simon Wilson surveys a slew of shows, in London, Liverpool and Margate, that reveal the changing roles colour has played in art history.
The pioneering video artist talks to Laura Gascoigne about mystery, compassion and sacrifice in art, as the first of his two altarpieces commissioned by St Paul’s Cathedral goes on permanent display.
Eileen Cooper RA and Helena Morrissey discuss whether art institutions need to prioritise women to achieve gender equality or whether positive discrimination is counter-productive.
Architect Trevor Dannatt RA pays tribute to Louis Kahn, whose poetic buildings are celebrated at London’s Design Museum.
As Tate Modern mounts a major show of Matisse’s cut-outs, painter Mali Morris RA pays tribute to the artist’s directness, inventiveness and exuberance
Novelist Tracy Chevalier, who curates a new exhibition of quilts, argues that this traditional activity should be accepted as a contemporary art medium.
Fragrance designer Jo Malone has a nose for architecture as well as scent, as we discovered on a visit Kengo Kuma’s aromatic installation in our ‘Sensing Spaces’ exhibition.
New York at the start of the 20th century was a hotbed of explosive urbanisation. The RA’s exhibition of Bellow’s work explores the idea of painting from raw experience.
Known as a rebel, and a thorn in the side of the French Academy, Manet challenged the status quo through his portraiture, painting friends, family, and Parisian society.
Tracing the emergence of landscape painting as a distinct genre in its own right.
Spanning over five millenia, the RA’s ambitious survey show places contemporary artists’ works alongside works dating back to the Bronze Age.
Did Ruskin burn Turner’s clandestine drawings? Simon Wilson acclaims a revelatory new book on the works that seared the great critic’s soul.
The Academician talks with us from her current studio in Oxford.
A founding member of the RA as well as a wry observer and commentator on Georgian life, this is a first look at our exhibition of the work of Johan Zoffany.
By using the latest technology to present nature on a vast scale, the Academician breaks new ground yet again.
The Academician’s Clerkenwell studio is cool, white and ordered - but in it Hume is a warm, unpretentious presence.
Get the vital statistics on the Academician’s studio, his work, and his relationship to the planet.
Over a seafood lunch the Academician discusses why the world is her oyster when it comes to making her art.